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DECLASSIFIED: Hanford a national secret


Images of a time, a place and a secret.


In December 1942, one year after the Japanese bombed Pearl Harbor, President Franklin D. Roosevelt claimed over 600 acres of desert steppe land near the confluence of the Columbia and Yakima rivers in Southeastern Washington State for a top-secret project. Up to that point the region had been a quiet farming community, but due to its unique ecological and geographic properties it was chosen to be the home of the world’s first nuclear bomb. These 600 acres are now considered to be the most toxic place in America. This place is Hanford Washington - where I’m from.


The story of Hanford had been a national secret, one that few people fully understood until August 1945, when the atomic bombs were dropped on Hiroshima and Nagasaki. Only in the wake of those 135,000 deaths did the people of Hanford begin to learn the purpose of their town: to produce the plutonium that fueled one of America’s atomic bombs.


As a native of this profoundly secretive and conflicted place, I grew up in a culture where larger truths were never known. My father managed Nuclear Operations at Hanford and has only recently begun to reveal his secrets.


As an artist, I am drawn Hanford’s many ironies, not the least of which are: the extreme beauty of the untouched land that covers a vast amount of toxic waste, a high-school mascot that symbolizes my hometown’s infamy (a nuclear mushroom cloud), and street names which record the legacy that led to the death of so many and which changed the course of history. I wanted to document Hanford as a testament to resilience in the face of man’s destructive capacity.


Shot on film with a twin-lens Rolleiflex


16 x 16 inches

Edition of 12 +1AP


24 x 24 inches

Edition of 10 +1AP


40 x 40 inches

Edition of 5 +1AP









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BIO

Bootsy Holler is an intuitive American artist who has worked in photography for 30 years. She is best known for her work as a portraitist, beginning with intimate depictions of herself and her friends at the center of Seattle's pivotal music scene during the early 1990s and 2000s. These formative years working both ends of the lens cemented her style and methodology. Her empathic journalistic approach informed her work as she segued into a thriving commercial and editorial practice while at the same time always creating art. Her art revolves around family, subconscious memory, eco-feminism, and giving feelings to the inanimate. 


Holler currently lives and works in Los Angeles, CA. She has been recognized by the Society of Photographic Journalism and selected for Critical Mass Top 50 twice. Her art images have appeared in numerous publications like VOGUE, House & Garden, Aesthetica, Dodho, FOA, AAP Magazine, and Chinese Photographer Magazine. Her seminal work is in the permanent collection of the Grammy Museum. She has shown work at The Foley Gallery, in NYC, and in 2020 she was invited to exhibit at the Shanghai International Photo Festival. She has hung art at London Photo, Fotofever, Paris, The Griffin Museum of Photography, the California Museum of Photography, and The Center for Fine Art Photography. In 2025 she published her third monograph MAKiNG iT: an intimate documentary of the Seattle Indie, rock & punk scene, 1992-2008, with Damiani Books and signed copies at Paris Photo 2025, and toured the PNW.


ARTIST STATEMENT

Most of all, I want to show viewers the beauty in people and things they might otherwise ignore. In that sense, all my work is portraiture—an image that captures the essential personality or emotions of the subject. This happens when I connect personally to an environment, object, feeling, or person. I create images of what emotionally moves me and hope the audience can feel this in the imagery. All my work can also be seen as a projection of how I want people to see me, an ideal view of self through the lens.


Composition and balance are most important to me. I love to capture patterns, textures, and blocks of negative space brought on by my background in textiles and fashion. My goal is to capture the actual emotion that color brings to a surrounding. If the environment is warm or cool to the eye, my impulse is to capture the look of that light rather than \"correcting\" it. I'm always trying to preserve a moment's existing look and feel.


My ideas come about organically, usually from a vision, drawing, or personal experience that triggers a full-blown project. I feel the best art happens when you're not thinking about \"why\"—just doing. I prepare for a shoot, but I'm always guided to the truth through my instincts and play.




.














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CV

PDF download


UPCOMING or HAPPENING & EXHIBITIONS

2026



The Cut By in Los Angeles, April 30 - May 30, 2026


Blue Sky Gallery in Portalnd OR, September


Griffin Museum of Photography, Westchester, MA, November



RECENT EVENTS

2026

The Cut By, MAKiNG iT, Los Angeles, CA. April 30 - May 30,

Materias Primas Studio, MAKiNG iT, Cathedral City, CA. March 27 - April 18


2025

MAKiNG iT, Paris Photo, Damiani Books, Nov. 13-16

Elle Persiste/ She Persists, Alta Vista Arts, Paris, Nov. 8th opening | 7-15th, Rue Chapon, 8

A YELLOW ROSE PROJECT,

The Griffin Museum of Photography, Over 100 women responding to the 19th Amenedment, October 2 – November 30


2024

MAKiNG iT an intimate documentary of the seattle scene 1992-2008, Leica Gallery London, UK

A Thousand Beautiful Lies, Center for Fine Art Photography, Fort Collins, CO


EDUCATION + WORK

1995-Present

Working Artist


1997-2013

Freelance Photographer, Art Director, and Producer


1995-2000

Owner/Designer, Tryke Works a design and manufacturing wholesale business.


1992

Bachelor of Art in Studio Art, emphasis in Textiles & Design, Western Washington University, Bellingham, WA



SOLO & 2 PERSON EXHIBITIONS

2026

MAKiNG iT, Materias Primas Studio, Cathedral City, CA


2024

MAKiNG iT, Leica Gallery London, UK

A Thousand Beautiful Lies, Center for Fine Art Photography, Fort Collins, CO


2023

Photo London Art Fair, Somerset House, Virginia Visual Arts, UK


2021

Without Words, The LODGE, Los Angeles, CA

The Other Art Fair, Saatchiart.com, Barker Hangar, Santa Monica, CA


2020

Without Words, Shanghai International Photo Show, China


2015

Nuclear Family, WallSpace Gallery, Seattle, WA

Nuclear Family, WallSpace Gallery, Santa Barbara, CA


2014

Visitor, Kiernan Gallery, Lexington, VA


2009

Ruby & Willie, WallSpace Gallery, Seattle, WA


2006

Ruby & Willie, Gallery 63Eleven, Seattle, WA


2005

Ruby & Willie, New Space Photo Center, Portland, OR


2004

West Africa, Alibi Room, Seattle, WA


2003

Rose Wallpaper, Black Lab Gallery, Seattle, WA


2002

Rose Wallpaper, 619 Western Ave - 4th floor, Seattle, WA

The Chair, Rose Club, Seattle, WA

Twenty-Eight, The Mark Gallery, Olympia, WA


2001

Twenty-Eight, Consolidated Works, Seattle, WA

Laundry, The Little Theatre Gallery, Seattle, WA

MASK, Alibi Room, Seattle, WA


2000

MASK, Black Lab Gallery, Seattle, WA


1999

Twenty-Eight, Healey Gallery, Seattle, WA


1998

Alone, Alibi Room, Seattle, WA


1997

Alone, Habitude Gallery, Seattle, WA


1995

Ten Short Stories, Light House, Seattle, WA


SELECT GROUP EXHIBITIONS

2026

Reservoir collaborative project with 40 international photographers respond to Loneliness & Well Being, Exhibition at Los Angeles Center of Photograpy, January 29th - March 16th, L.A., CA.

2025

Elle Persiste/ She Persists, Alta Vista Arts, Paris, Nov. 8th opening | 7-15th, Rue Chapon, 8

A Yellow Rose Project, The Griffin Museum of Photography, Over 100 women responding to the 19th Amendment

October 2 – November 30, 2025

Milan Photo Fair, Alta Vista Arts, Milan, Italy

Critical Mass Top 50 exhibition, Atlanta Photography Group, GA

Slow Exposures, Pike County, GA


2024

A Thousand Beautiful Lies, Center for Fine Art Photography, Fort Collins, CO., featuring artwork by acclaimed artists Shayla Blatchford, Abbey Hepner, Bootsy Holler, Kei Ito, Patrick Nagatani, and Will Wilson.

Becoming: The Feminist Image, PhotoSC.org, Columbia, SC, Juried by Elizabeth Avedon

Expand and Contract, LACP, Los Angeles, CA

Honorable mention, Juried by Dr. Rotem Rozental


2023

Sunshady Days, Photo Center NW, Seattle, WA

Sunshady Days: A 50 Year Photo Retrospective of Bumbershoot, A/NT Gallery, Seattle, WA

Family Photos, Curated by Brian Clamp, South X Southeast, Molena, GA


2022

International Juried Exhibition for the 10th Anniversary, New York Center for Photographic Art, Juror Elizabeth Avedon, New York, NY

Arte en la Naturaleza II, Museum of Nature of Cantabria, Spain

It's a Dog's Life! SXSE Photo Gallery, Molena, GA


2021

HERSTORY: Through the Feminine Lens, Building Bridges Art Exchange, Curated by Marisa Cachiolo, Santa Monica, CA

International Juried Exhibition, Jurors Debra Klomp Ching & Darren Ching, CfPA in Carmel, CA

Creative Portraiture, LACP, Juror Aline Smithson, Los Angeles, CA

The Exhibition Lab, Foley Gallery, New York, NY

The Artist Intervenes, LENSCRATCH, Los Angeles, CA

The Poetry of the Ordinary, Juror Douglas Beasley, PhotoPlace Gallery, VT

Art In The Plague Year, California Museum of Photography, Riverside, CA


2020

Members Exhibition, Center for Photographic Arts, Jurors Ann Jastrab & Laura Sackett Carmel, CA

A Yellow Rose Project, Spectra Gallery in the Honors College, The University of New Mexico, NM

A Yellow Rose Project, Colorado Photographic Art Center, Denver, CO

Members, SE Center for Photography, Greenville, SC

Anteroom, The Lodge, Los Angeles, CA

Portfolio, SE Center for Photography, Greenville, SC

Members, Griffin Museum of Photography, Winchester, MA

Female Focus, Center for Fine Art Photography, Juror Lisa Volpe, Fort Worth, CO

A Smith Gallery, Juror Elizabeth Avedon, Johnson City, TX


2019

FotoFever, WallSpace Creative, Paris, France

LACP Members Exhibition, Juror Douglas McCulloh, Executive Curator, DNJ Gallery, Santa Monica, CA

Contemporary Portraiture Exhibition, Center For Fine Art, Fort Collins, CO

Center For Fine Art Open Exhibition, Fort Collins, CO

Dive In Exhibition, Don’t Take Pictures Gallery, New York, NY 

Photoville LA, Annenberg Space for Photography, Los Angeles, CA

SeeMe Exhibition, Affordable Art Fair, New York, NY

Photo LA, Building Bridges Art Exchange, Santa Monica, CA


2018

Los Angeles Center for Photography, Members Exhibition, Juror, Catherine Couturier, Los Angeles, CA

American Photography 34, New York, NY


2017

FotoFever, Building Bridges Art Exchange, Paris, France

California Rising Exhibition, FABRIK Media, Los Angeles, CA

Recollections Exhibition - New Orleans Photo Alliance, New Orleans, LA

All Women Are Dangerous Exhibition, MOPLA & Building Bridges Art Exchange, Santa Monica, CA

The Quiet Landscape Exhibition, PhotoPlace Gallery, Middlebury, VT


2016

Creative Portrait Exhibition, LACP, Juror Greg Gorman, Los Angeles, CA

Truth is Stranger than Fiction, MOPLA & Glassell Commons Gallery, Los Angeles, CA 


2015 

FotoFever, FABRIK Media, Paris, France

Photo Independent, Los Angeles, CA


2014

WET/DRY Exhibition, 446 Gallery, Palm Springs, CA

Six Shooters - a photographic conversation, Venice Arts, CA


2013

Stories, Memories and Histories, The Center for Fine Art Photography, Juror Regina Azenberger, CO

Creatures, Kiernan Gallery, Lexington, VA

Family Exhibition, Detroit Center on Contemporary Photography, Juror Aline Smithson, Detroit, MI

iSpy Exhibition, Kiernan Gallery, VA


2012

Both Sides of the Lens: Self-portraiture, Kiernan Gallery, Lexington, VA


2011

Dream Exhibition, Center for Fine Art Photography, Juror Aline Smithson, Fort Collins, CO

Summertime Exhibition, Duncan Miller Gallery, Santa Monica, CA


2009

re: FOCUS, Photo Center Northwest, Seattle, WA


2008

Grammy Museum Opening, Los Angeles, CA


2006

New Directions, WallSpace Gallery, Seattle, WA


2005

Natural Selection, Blue Earth Alliance, Seattle, WA


2004

Animals, New Space Photo Center, Portland, OR 


2001

Beneath the Surface, Photo Center Northwest, Juror Chien-Chi Chang/Magnum Photos, Seattle, WA


2000

Alumni 100th Anniversary Exhibition, WWU Gallery, Bellingham, WA


1998

Illumination, Benham Gallery, Seattle, WA


1996

La Obra Delicada, 619 Gallery, Seattle, WA


RECOGNITION

2024 - Critical Mass Top 50, Photolucida, Portland OR

2024 - Honorable Mention, Expand & Contract, LACP, Los Angeles, CA, Juried by Dr. Rotem Rozenta

2022 - Awarded First Place, International Juried 10th Anniversary Best Shot, New York City for Photographic Art, Juror Elizabeth Avedon, New York, NY

2022 - Curators Choice at SXSE Magazine, Molena, GA

2021 - Awarded Second Place, International Juried Exhibition, Center for Photographic Art Juried by Debra Klomp-Ching and Darren Ching

2021- Honorable Mention, LACP Creative Portraiture, Juried by Aline Smithson, Los Angeles, CA 

2020 - Awarded Best of Show, Center for Photographic Arts, Carmel, CA

2020 - Critical Mass Top 200, Without Words, Portland, Or

2018 - Awarded Second Place, LACP, Juried by Catherine Couturier, Los Angeles, CA

2011 - Finalist for Critical Mass Top 50, Visitor, Portland, Or

2007 - Awarded Best Feature, Society of Photographic Journalism, Seattle Metropolitan Magazine

2006 - Honorable Mention, Fashion Feature, AAN, Seattle Weekly

2002 - Awarded Best Feature, Society of Photographic Journalism, Seattle Weekly


MUSEUM COLLECTIONS


MAKiNG iT book in the permanent collection

The Griffin Museum of Photography


TREASURES book in the permanent collection

House of Lucie Center for Photography

Griffin Museum of Photography

California Museum of Photography


Grammy Museum - Pearl Jam live photograph


BOOKS

2025 - MAKiNG iT: an intimate documentary of the seattle indie, rock & punk scene, 1992-2008

2019 - Treasures: Objects I've Known All My Life, Monograph, BearHeart Publishing

2011 - The Italy Diary, Monograph, Self Published 

2005 - Ruby & Willie: My Grandparents' Home, Monograph, Self Published

Works included in:

2022 - Friend of the Artist Vol. 15

2014 - Portfolio Showcase, The Kiernan Gallery

2012 - Contained Beauty: Photographs, Reflections, Swimming Pools, Debbi DiMaggio

2012 - iSpy: Camera Phone Photography, The Kiernan Gallery

2011 - Pearl Jam Twenty, Simon & Schuster

2011 - Retrospective Book, New Space Photo Center

2009 - Grunge is Dead: The Oral History of Seattle Rock Music, ECW Press

2000 - Fashion Images DeMode No. 5, STEIDL


LECTURES - TALKS - TEACHING

2025 - Artist Talk, MAKiNG iT book

Skylight Books, Los Angeles, CA

Easy Street Records, Seattle, WA

Third Place Books, Seattle, WA

House of Koko - London, UK

Paris Photo - Book Signing, FR

Leica Gallery - New York, NY

2024 - Artist Talk, CONTAMINATED at Center for Fine Art Photography, Fort Collins, CO

2023 - Artist talk, NAT Residency with Circle SMPro Art, Spain

2023 - Artist Talk, Following Instinct, SXSE, Molena, GA

2021 - Open Show #61, Without Words, Los Angeles, CA

2020 - Artis Talk, CHAT CHAT, Griffin Museum of Photography, Winchester, MA

2020 - Lecturer, Aline Smithson - Shooting with Intention, LACP, Los Angeles, CA

2020 - Photo Book Roundtable: From Gallery Walls to Printed Pages, FOCUS Photo LA, Santa Monica, CA

2019 - Open Show #55, Treasures, Los Angeles, CA

2019 - Artist Talk & Book Signing, Photographic Center Northwest, Seattle, WA

2019 - Artist Talk & Book Signing, Chevalier Books, Los Angeles, CA

2019 - Lecturer, LACP, Aline Smithson - Shooting with Intention, Los Angeles, CA

2014 - Lecturer, WallSpace Gallery, Santa Barbara, CA

2012 - Lecturer, LACP, Aline Smithson - Next Step II, Los Angeles, CA

2006 - Lecturer, North Seattle Community College, Photography I, Seattle, WA

2003 - Lecturer, Lady Fest - Women Artists, Seattle, WA

2002 - Teaching, Portraiture II, Black Lab Gallery, Seattle, WA

2002 - Teaching, Portraiture I, Black Lab Gallery, Seattle, WA

2000 - Lecturer, Western Washington University, Tom Johnston - Art Dept., Bellingham, WA


















































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RUBY & WILLIE: my grandparents' house


These images are just a sampling from the rolls of film I shot. The images were taken in Ruby and Willie’s home, located at 1824 Davison, Richland, Washington. Ruby, passed in 1978, leaving Willie to live alone. He lived in the basement and kitchen, not touching any of the rooms. I documented each room as I would a museum, capturing all the details in the kitchen, living room, dining room, hallway, boys’ room, girls’ room, Ruby’s room, the downstairs TV room, and finally Willie's basement bedroom.


I began documenting their simple décor in December 1999 when I came to visit. Maybe I knew this home, which looked to me like a movie set, would soon be destroyed. Within four months my grandfather fell sick and passed away. This home, which hadn’t been changed in more than 25 years, was soon stripped down to nothing. Everything was gone.


As generations leave us, they take with them their environments. I used photography for what it does best: to document a place and time before it is gone.


Each photograph will be able to stand-alone or be combined in a linear or stacked grouping describing a single room or is also beautiful as a large grid of images forming one huge piece.


12 x 19 inches - Edition of 15

16 x 24 inches - Edition of 10

24 x 36 inches - Edition of 3

60 inch options available on request


ORIGINAL BOX COLLECTION

Mounted: on 12 x 20 x 2 inch box

Edition 2 of 3


PRICE LIST


















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2011 | Archival pigment print | Edition of 3 | Image comes in a 14 x 14\" black shadow box and matte, white ink, magnifying glass, and chain | 650.00 ", "type": "image", "content": "Buhl-Sisters1958txt.jpg", "thumb": "04-Visitor_BuhlSisters_1958-copy3.jpg", "size": { "content": { "width": 1860, "height": 1140 }, "thumb": { "width": 687, "height": 700 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 117675 }, "filters": [ "02Visitor" ], "keywords": [], "searchable": true, "dateAdded": "2017-07-08T16:33:06.793Z", "linkTarget": "", "overrides": {}, "key": "10392" }, "10393": { "id": 10393, "label": "Visiting Dana and Tonya, 1967", "caption": "Visiting Dana & Tonya, 1967 - 2011 | Archival pigment print | Edition of 3 | Image comes in a 14 x 14\" black shadow box and matte, white ink, magnifying glass, and chain | 650.00 \n\n", "type": "image", "content": "DanaTonya1967txt.jpg", "thumb": "07-Visitor_Dana_Tonya1967-copy2.jpg", "size": { "content": { "width": 1860, "height": 1140 }, "thumb": { "width": 884, "height": 700 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 125501 }, "searchable": true, "linkTarget": "", "filters": [ "02Visitor" ], "dateAdded": "2017-07-08T16:33:06.793Z", "keywords": [], "overrides": {}, "key": "10393" }, "10394": { "id": 10394, "label": "Visiting Ginger, 1958 ", "caption": "Visiting Ginger, 1958 - 2011 | Archival pigment print | Edition of 3 | Image comes in a 14 x 14\" black shadow box and matte, white ink, magnifying glass, and chain | 650.00 ", "type": "image", "content": "ginger1958txt.jpg", "thumb": "03-Visitor_Ginger1958-copy3.jpg", "size": { "content": { "width": 1860, "height": 1140 }, "thumb": { "width": 1361, "height": 1327 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 92512 }, "overrides": {}, "searchable": true, "key": "10394", "disableLightbox": false, "keywords": [ "Visitor", "bootsy holler", "fine art" ], "dateAdded": "2017-07-08T16:33:06.793Z", "linkTarget": "", "filters": [ "02Visitor" ] }, "10395": { "id": 10395, "label": "Visiting Ginger Easter, 1949", "caption": "Visiting Ginger, Easter, 1949 - 2011 | Archival pigment print | Edition of 3 | Image comes in a 14 x 14\" black shadow box and matte, white ink, magnifying glass, and chain | 650.00 ", "type": "image", "content": "GingerEaster1949txt.jpg", "thumb": "15-Visitor_Easter_Ginger_1949-copy1.jpg", "size": { "content": { "width": 1860, "height": 1140 }, "thumb": { "width": 677, "height": 700 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 83542 }, "linkTarget": "", "filters": [ "02Visitor" ], "dateAdded": "2017-07-08T16:33:06.794Z", "keywords": [], "searchable": true, "overrides": {}, "key": "10395" }, "10399": { "id": 10399, "label": "Visiting Jane Columbia River 1955", "caption": "Visiting the Columbia River, 1955 - 2011 | Archival pigment print | Edition of 3 | Image comes in a 14 x 14\" black shadow box and matte, white ink, magnifying glass, and chain | 650.00 ", "type": "image", "content": "JaneSki1955txt.jpg", "thumb": "14-Visitor_Jane_waterski1955-copy1.jpg", "size": { "content": { "width": 1860, "height": 1140 }, "thumb": { "width": 647, "height": 900 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 125304 }, "keywords": [], "overrides": {}, "oldThumb": "14-Visitor_Jane_waterski1955-copy1.jpg", "filters": [ "02Visitor" ], "oldFilename": "JaneSki1955txt.jpg", "linkTarget": "", "searchable": true, "key": "10399", "dateAdded": "2017-07-08T16:33:06.793Z" }, "10400": { "id": 10400, "label": "Visiting Cousin John Coons,1954", "caption": "Visiting John Coons, 1954 - 2011 | Archival pigment print | Edition of 3 | Image comes in a 14 x 14\" black shadow box and matte, white ink, magnifying glass, and chain | 650.00 ", "type": "image", "content": "JohnCoons1954txt.jpg", "thumb": "20-Visitor_JohnCoons1954-copy1.jpg", "size": { "content": { "width": 1860, "height": 1140 }, "thumb": { "width": 704, "height": 700 }, "bytes": 102186, "featuredImage": { "width": 0, "height": 0 } }, "overrides": {}, "keywords": [], "oldFilename": "JohnCoons1954txt.jpg", "searchable": true, "filters": [ "02Visitor" ], "key": "10400", "dateAdded": "2017-07-08T16:33:06.794Z", "linkTarget": "", "oldThumb": "20-Visitor_JohnCoons1954-copy1.jpg" }, "10401": { "id": 10401, "label": "Visiting Las Vegas, 1962", "caption": "Visiting Las Vegas,1962 - 2011 | Archival pigment print | Edition of 3 | Image comes in a 14 x 14\" black shadow box and matte, white ink, magnifying glass, and chain | 650.00 ", "type": "image", "content": "LasVegas1962txt.jpg", "thumb": "05-Visitor_Nevada-Club1962.jpg", "size": { "content": { "width": 1860, "height": 1140 }, "thumb": { "width": 1081, "height": 700 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 158818 }, "keywords": [], "searchable": true, "overrides": {}, "filters": [ "02Visitor" ], "linkTarget": "", "key": "10401", "dateAdded": "2017-07-08T16:33:06.793Z" }, "10410": { "id": 10410, "label": "Visiting Willie on the Tracks, 1925", "caption": "Visiting Willie, 1925 - 2011 | Archival pigment print | Edition of 3 | Image comes in a 14 x 14\" black shadow box and matte, white ink, magnifying glass, and chain | 650.00 ", "type": "image", "content": "WillieTracks1925txt.jpg", "thumb": "17-Visitor_Hazel_Willie_Alice_Buhl_1925-copy1.jpg", "size": { "content": { "width": 1860, "height": 1140 }, "thumb": { "width": 603, "height": 900 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 89610 }, "filters": [ "02Visitor" ], "keywords": [], "searchable": true, "key": "10410", "dateAdded": "2017-07-08T16:33:06.793Z", "linkTarget": "", "overrides": {} }, "10415": { "id": 10415, "label": "", "caption": "", "type": "html", "content": "

VISITOR: rebuilding the family album


I've often wondered what it might be like to experience the frozen moments in my family photographs and be connected. I want to understand my self better and my DNA so I can experience where I have come from and how these people have influenced my being.


The goal with \"Visitor\" is to reinterpret my intimate family snapshots, explore time, history, meet and understand family while blurring boundaries. I’m trying to understand my ancestry and in particular my mother and why she is who she is. To understand how I have been put together and created over generations and time through family to become me. I created a look driven by the era of each original photograph, pulling a wardrobe I’ve collected over the years and inherited from my grandmother, who was a seamstress. By making a composite I’ve placed myself into each world I want to revisit. I want to understand my family stories and memories through my research of each image and the feeling of setting myself back in the moment as I wait for the timer to snap the shot.


In my efforts to be authentic to the original photograph, I have matched the format of the original image: some soft grain and blown out whites help match the old, authentic vintage feeling of each snap shot. Each image is printed in the original size and placed on a black photo album page similar to how the images were found with white ink and handwritten text to guild the viewer through the album.


Work comes framed in a black shadow box

14 x 14 inches

Image floats on black archival mat board with handwritten white ink.

Attached is a magnifying glass on chain so the viewer can take a closer look.


Edition of 5 +1AP













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Visiting Maude Warford,1948. 2011

", "type": "image", "content": "Maude1948.TXT.jpg", "thumb": "11_Maude_1948-copy2.jpg", "size": { "content": { "width": 1860, "height": 1140 }, "thumb": { "width": 549, "height": 900 }, "bytes": 478222, "featuredImage": { "width": 0, "height": 0 } }, "filters": [ "02Visitor" ], "linkTarget": "", "key": "10422", "overrides": {}, "dateAdded": "2017-07-08T16:24:25.342Z" }, "10427": { "id": 10427, "label": "Visiting Nan and Ginger, 1952", "caption": "

Visiting Nan & Ginger,1952. 2011

", "type": "image", "content": "NanGinger1952TXT.jpg", "thumb": "12-Visitor_Ginger_Nan_1952-copy4.jpg", "size": { "content": { "width": 1860, "height": 1140 }, "thumb": { "width": 689, "height": 700 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 505133 }, "key": "10427", "linkTarget": "", "dateAdded": "2017-07-08T16:33:06.794Z", "overrides": {}, "filters": [ "02Visitor" ] }, "10428": { "id": 10428, "label": "Visiting Velva Rose, 1932", "caption": "

Visiting Velva Rose,1932. 2011

", "type": "image", "content": "VelvaRose1932TXT.jpg", "thumb": "10-Visitor_VelvaRose1932-copy3.jpg", "size": { "content": { "width": 1860, "height": 1140 }, "thumb": { "width": 1132, "height": 700 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 679208 }, "linkTarget": "", "key": "10428", "dateAdded": "2017-07-08T16:33:06.794Z", "filters": [ "02Visitor" ], "overrides": {} }, "10430": { "id": 10430, "label": "Visiting Ruby, 1936", "caption": "

Visiting Ruby,1936. 2010

", "type": "image", "content": "Ruby1936TXT-copy2.jpg", "thumb": "06-Visitor_Ruby1936-copy4.jpg", "size": { "content": { "width": 1860, "height": 1140 }, "thumb": { "width": 586, "height": 900 }, "bytes": 449044, "featuredImage": { "width": 0, "height": 0 } }, "overrides": {}, "linkTarget": "", "filters": [ "02Visitor" ], "key": "10430", "dateAdded": "2017-07-08T16:33:06.794Z" }, "10431": { "id": 10431, "label": " Visiting Mt. Rainier, 1946", "caption": "

Visiting Mt. Rainier,1946. 2011

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The photographs in Treasures are of simple objects from Holler’s mother’s home. “My mother has always been very particular about how she likes her things - every item has its place, every task has its way of being done. Inevitably, these things and this way have become part of my life as well.” Holler is a contemporary photographer strongly influenced by stories of family, history and place.


Holler’s collection is a portrait not only of her mother, but also of their relationship. “It’s not that these things are her ‘Treasures’ per se, it’s that because she thought these things were so important to take care of, and there were so many rules around how these things were to be handled, they felt as if they were more important than me.” Treasures is a humorous look at the objects people live with, that we build our lives around, that we give breath to, and how they eventually become part of our lives - and tell our stories.

\n\n

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JANUARY 2019


FOR IMMEDIATE RELEASE:


BearHeart Publishing is pleased to announce the January 2019 release of


TREASURES: OBJECTS I’VE KNOW ALL MY LIFE


By Bootsy Holler 


Los Angeles, CA, BearHeart Publishing announced today the release of Bootsy Holler’s new book, Treasures - objects I’ve known my whole life. The photographs in Treasures are of simple objects from Holler’s mother’s home. “My mother has always been very particular about how she likes her things - every item has its place, every task has its way of being done. Inevitably, these things and this way have become part of my life as well.” Holler is a contemporary photographer strongly influenced by stories of family, history and place.


Holler’s collection is a portrait not only of her mother, but also of their relationship. “It’s not that these things are her ‘Treasures’ per se, it’s that because she thought these things were so important to take care of, and there were so many rules around how these things were to be handled, they felt as if they were more important than me.”


Treasures is a humorous look at the objects people live with, that we build our lives around, that we give breath to, and how they eventually become part of our lives - and tell our stories. 


TREASURES 

Book Signing

January 29th, 2019


@


Chevalier Books 

7 PM

126 N. Larchmont Blvd

Los Angeles, CA 90004

323-465-1334


Photography /Artist Book / Postcards

Hard box & Softcover, 6.5 x 4 inches, 94 pages

$55 US/CAN Signed Editions 250


Bootsy Holler is a contemporary photographer strongly influenced by stories of family, history and place. Whether she’s reimagining the family photo album or bringing to life stories behind specific inanimate objects, Holler’s work is driven by the powerful connection between previously untold stories, and portrayed by previously unseen points of view. Much of Holler’s work is rooted in her growing up in a secretive government area near the Hanford Nuclear site, home of the plutonium bomb that was said to have ended WWII. She now resides in Los Angeles, traveling to find inspiration and connections with people, environments , objects and the unspoken secrets we all keep.


High-res scans to your specification are available upon request; scanning from the book or living images from the mechanical file are strictly prohibited. Mandatory credit line: From Treasures: Objects I’ve known all my life by Bootsy Holler., published by BearHeart Books.


For more information, please contact:

BearHeartBooks@gmail.com

BootsyHoller.com

facebook | Twitter | Instagram


© Copyright 2018 BearHeart Publishing




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RUBY & WILLIE: my grandparents' home


Ruby passed away in 1978, leaving Willie to live alone. He lived in the basement and kitchen, not touching any rooms. I documented each room as I would a museum, capturing all the details in the kitchen, living room, dining room, hallway, boys’ room, girls’ room, Ruby’s room, the downstairs TV room, and finally, Willie's basement bedroom.


I began documenting their simple décor one December when I came to visit. Maybe I knew this home, which looked like a movie set, would soon be destroyed. Within four months, my grandfather fell sick and passed away. This home, which hadn’t been changed in more than 25 years, was soon stripped down to nothing. Everything was gone.


As generations leave us, they take with them their environments. I used photography for what it does best: to document a place and time before it is gone.


BUY A BOOK

BUY A SHOW CATALOGUE



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Handmade Accordion Artist Book


Promo piece made for Modern Myths before becoming Without Words.


This handmade accordion was made in 2017 for the series Modern Myths (now Without Words). The book holds eight images plus a statement and title page. In an edition of 25, each one is signed & numbered. Printed on Moab Entrada 300 lb. paper, this single piece is 29 inches long and 4x5 inches when folded, hand-scored, and comes wrapped in a clear bag.


BUY A BOOK





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FULL LENSCRATCH REVIEW













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TREASURES: objects I've known all my life


A humorous look at the objects people live with, that we build our lives around, that we give breath to, and how they eventually become part of our lives - and tell our stories.


This is a limited edition signed fine art book with 44 images and 96 pages.



BUY A BOOK

LENSCRATCH review

PHOTOBOOK JOURNAL review




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There are 35 books being exhibited in the MOPLA Photo Book Exhibition and TREASURES is one of them.


MOPLA 2019 PHOTO BOOK EXHIBITION link






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Friday - April 25

6-7 PM

@

PORTLAND ART MUSEUM

PORTFOLIO WALK


1219 SW Park Ave.

Portland, OR 97205



As part of Portland Photo Month and the biennial Photolucida Portfolio Reviews, we are once again hosting the Photography Portfolio Walk at the Portland Art Museum!


Join us in the Fields Ballroom for this fan-favorite event that always draws a huge crowd! 160 talented emerging and established photographers lay their photographs out on tables to present to the public – you! This event is a wonderful chance for the Portland community to meet









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PHOTOVILLE . LA

April 26 – 28 & May 2 – 5


Outside the Annenberg Space for Photography

2000 Avenue of the Stars

Los Angeles, CA


Annenberg Space for Photography Presents Photoville LA — the largest photographic event in NYC is now coming to Los Angeles for the first time in its seven-year history, created and produced by UNITED PHOTO INDUSTRIES.





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Ampersand Gallery & Fine Books

2916 NE Alberta Street, Suite B

Portland, OR 97211


Monday and Tuesday - Closed

Wednesday to Saturday - 11AM to 6PM

Sunday - 11AM to 5PM





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YES in my other life I was a Rock'n Roll Photographer.


I shot all the images on this album 14 years ago at a secret event that Pearl Jam ended up recording with Matt Vaughan and Bob Major owners of Easy Street Records in West Seattle, one of the few records stores still alive and kicking.



SHORT FB VIDEO


YOUTUBE VIDEO OF THE ALBUM

around min. 9 is the reveal of the album












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RSVP

RSVP


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OPEN SHOW LA is collaborating with the Los Angeles Center of Photography to present and host a special evening of artist talks Saturday, September 14th, 5:30-7:30pm as part of LACP’s Exposure Weekend which runs September 13-15 at Hotel MdR in Marina del Rey. We will be featuring four presenters selected from the artists attending the Exposure portfolio review. Our event is free and open to the public, so come join us and invite your friends.


OPEN SHOW LA #55: LACP Exposure 2019

SHOW DATE: Saturday, September 14th, 5:30-7:30pm

VENUE: LACP Exposure | Hotel MdR, 13480 Maxella Avenue, Marina del Rey, CA 90292

PARKING: Parking is $5 for LACP Exposure event attendees, in the parking lot to the right of the main hotel entrance.


FEATURED PRESENTERS

Matthew Finley, This Too Shall Pass, mfinleyphoto.com

Gregory Talley, 154 Square Inches, gregorytalleyartphotography.com

Bootsy Holler, Treasures, bootsyholler.com

Lori Pond, Learning To Walk In The Dark, loripond.com


ABOUT THE LACP EXPOSURE WEEKEND

LACP’s EXPOSURE WEEKEND 2019, September 13-15, 2019 is a weekend of Portfolio Reviews, Classes, Seminars, Exhibitions and Networking Events where photographers can meet face to face with gallery owners, photo editors, museum curators, publishers and other photo professionals.

 







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The Photography Artist Book Initiative





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The process of building a Photographic, Rock'n Roll journal about my time in the Seattle music scene has begun. During the years between 1995 and 2010 I was a working photographer documenting my life and friends in the Seattle scene. If you are interested in the personal conversation I'm having about the journey of making this book, then you may want to become a patron.


Posts will be made once a week or more as I build out my ideas, photos, and tell short stories. You will get access to my process while I design, edit and sculpt during the next year +. I won't be sharing this work anywhere else on-line. You may see random images used for advertising, but your view is exclusive.


If you want access to the Rock'n Roll journal from the Seattle Music scene durning my 20 years shooting then becoming a patron. This will give you first looks, access to never published images and the offer to buy a book hot off the press. You will be in the know from the beginning of the process till the end.


If you are a patron you will be listed in the books Thank You, you will have access to buy prints not offered up to the public and by joining you can also choose a level that get's you a special edition print when this comes to a close. I will be producing a run of books no matter what, so when it is ready, you will be in the know.









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Photography Art Fair

8 - 10 Nov. 2019

#8 @ Carrousel Du Louvre, Paris

Wall Space Creative Booth B19



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CONTAMINATED: Government Fallout


Contaminated is an exploration of the tens of thousands affected by illnesses, and the secrets that were kept by the United States Government at the Hanford Nuclear site. 


Contaminated is what has happened to the people and the land in southeastern Washington State. This is where I was born. This is where my family lives. In 1942 my Grandfather arrived on the land and started working for the U.S. Government, codenamed “The Manhattan Project”. The Hanford Nuclear site, produced plutonium for the first nuclear bombs used during WWII.


The U.S. Government had such poor records of what was done or not done to protect employees that the U.S. Department of Labor now has the Energy Employees Occupational Illness Compensation Program Act. This Act now pays out employees who have specific types of illnesses related to working at Hanford. If you lived in the area during WWII or the Cold War when radioactive iodine was released into the air and became sick then you would be involved in the Downwinder vs U.S. Government, which settled after 24 years in 2015. 


My family along with thousands of other employees and innocent people have all been affected. 


Each piece is an original handmade sculpture built from family and friends personal photographs. The one of kind work is mixed with the documentation of my experience growing up in this highly charged environment.


Each piece is handmade and original.




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Sunday Feb. 2, 2020 speaking at a Photobook Roundtable at PhotoLA.


Bootsy Holler


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I was just sent the PDF layout for the biggest photo magazine in China called CHINESE PHOTOGRAPHER. This is a 12 page spread showing Without Words images and Visitor. Thanks to Yiwei Lu and Yiwei Gallery in Los Angeles.


Bootsy Holler



VISITOR: rebuilding the family album




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24 x 32 inches - 1 of 6 - $1500 framed \n", "type": "image", "content": "Osceola_1of6_framed72.jpg", "size": { "content": { "width": 916, "height": 710 }, "thumb": { "width": 0, "height": 0 }, "bytes": 552359, "featuredImage": { "width": 0, "height": 0 } }, "dateAdded": "2020-03-27T04:26:50.727Z", "linkTarget": "", "filters": [ "FOTOMOTO" ], "overrides": {}, "key": "10900" }, "10901": { "id": 10901, "label": "0429.211 Savannah", "caption": "Title: 0429.211 Savannah - 24 x 32 inches - 1 of 6 - $1500 framed \n", "type": "image", "content": "Savannah_1of6_framed72.jpg", "size": { "content": { "width": 916, "height": 710 }, "thumb": { "width": 0, "height": 0 }, "bytes": 352839, "featuredImage": { "width": 0, "height": 0 } }, "linkTarget": "", "filters": [ "FOTOMOTO" ], "key": "10901", "overrides": {}, "dateAdded": "2020-03-27T04:26:53.070Z" }, "10902": { "id": 10902, "label": "0430.1103 Tybee Island", "caption": "Title: 0430.1103 Tybee Island - 24 x 32 inches - 1 of 6 - $1500 framed \n\n", "type": "image", "content": "Tybee_1of6_Framed72.jpg", "size": { "content": { "width": 916, "height": 710 }, "thumb": { "width": 0, "height": 0 }, "bytes": 541677, "featuredImage": { "width": 0, "height": 0 } }, "key": "10902", "filters": [ "FOTOMOTO" ], "overrides": { "captionDefault": true }, "linkTarget": "", "dateAdded": "2020-03-27T04:26:54.320Z" }, "10909": { "id": 10909, "label": "Savannah - 0429.2117", "caption": "SAVANNAH - 0429.2117 | 2016-2020 | Archival pigment print | 18x24\" | Edition of 6, 24x32\" | Edition of 8 | 30x40\" - Edition of 3 ", "type": "image", "content": "0429.2117-Savannah.jpg", "size": { "content": { "width": 1520, "height": 1140 }, "thumb": { "width": 0, "height": 0 }, "bytes": 654898, "featuredImage": { "width": 0, "height": 0 } }, "searchable": true, "key": "10909", "linkTarget": "", "overrides": {}, "filters": [ "00Without Words" ], "dateAdded": "2020-04-06T02:14:53.495Z", "keywords": [ "deadpool", "dead pool", "girl in pool", "face down in pool", "face down in water", "savannah", "bootys holler", "grounded in nature", "without words" ] }, "10910": { "id": 10910, "label": "Kanaka Bay - 0803.1928 ", "caption": "KANAKA BAY - 0803.1928 | 2017 | Archival pigment print | 18x24\" | Edition of 6, 24x32\" | Edition of 8 | 30x40\" - Edition of 3 ", "type": "image", "content": "0803.1928-KanakaBay.jpg", "size": { "content": { "width": 1520, "height": 1140 }, "thumb": { "width": 0, "height": 0 }, "bytes": 465696, "featuredImage": { "width": 0, "height": 0 } }, "keywords": [ "savannah", "tybee island", "kona", "hawaii", "kanaka bay", "meditation" ], "dateAdded": "2020-04-06T02:14:55.036Z", "linkTarget": "", "overrides": {}, "key": "10910", "searchable": true, "filters": [ "00Without Words" ] }, "10911": { "id": 10911, "label": "Deadman Cove - 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0415.1844", "caption": "AHU LANI RIVER - 0415.1844 | 2018-2021 | Archival pigment print | 18x24\" | Edition of 6, 24x32\" | Edition of 8 | 30x40\" - Edition of 3 ", "type": "image", "content": "0415.1844AhuLaniRiver_.jpg", "size": { "content": { "width": 1520, "height": 1140 }, "thumb": { "width": 0, "height": 0 }, "bytes": 796638, "featuredImage": { "width": 0, "height": 0 } }, "overrides": {}, "key": "10936", "linkTarget": "", "searchable": true, "keywords": [], "dateAdded": "2020-04-06T03:59:19.398Z", "filters": [ "00Without Words" ] }, "10939": { "id": 10939, "label": "Bonaventure - 0502.1638 ", "caption": "BONAVENTURE- 0502.1638 | 2016-2019 | Archival pigment print | 18x24\" | Edition of 6, 24x32\" | Edition of 8 | 30x40\" - Edition of 3 ", "type": "image", "content": "0502.1638Bonaventure.jpg", "size": { "content": { "width": 1520, "height": 1140 }, "thumb": { "width": 0, "height": 0 }, "bytes": 744216, "featuredImage": { "width": 0, "height": 0 } }, "key": "10939", "dateAdded": "2020-04-06T04:02:56.883Z", "searchable": true, "linkTarget": "", "filters": [ "00Without Words" ], "keywords": [], "overrides": {} }, "10940": { "id": 10940, "label": "Osceola - 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2020 SOLO SHOW - WITHOUT WORDS", "caption": "", "type": "html", "content": "

Right now everything is on hold but I'm looking at January 2021. Stay tuned.


When The Lodge gallery is back open we will be making a new date for the opening.

So in the meantime if you want to get on the mailing list email me@bootsyholler.com Subject: mailing list for Without Words .

Thanks stay safe and peace.


Bootsy Holler






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WITHOUT WORDS

Signature prints are handmade 9.5 X 11\" bound prints


These special handmade signature prints are great for first-time collectors and gifts for friends or family.


Unique hand-bound Signature prints housed in a 9.5 x 11-inch cardboard cover from the Without Words series. They are printed on Canson Rag paper 22 x 9.5 inches, folded to include a series title page, image, edition, and signed verso. The cover is recycled cardboard, bound to the signature with wax thread, and secured with a rubber band.


A Signature print can stay as a book for display or be framed easily by snipping the thread to release the print to be framed.


Editions are almost gone, so please go to the shop or contact me.

I am no longer making these, but I have a few left. SHOP PRINTS


If you want an image that is not bound, many Without Words are available in 9.5 x 11 inches; PLEASE FOLLOW THE SHOP LINK to Without Words Prints, and you will find more images.

SHOP PRINTS








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0, "height": 0 }, "bytes": 697743 }, "linkTarget": "", "filters": [ "04Treasures" ], "overrides": {}, "key": "11096", "dateAdded": "2020-04-25T01:59:38.812Z" }, "11098": { "id": 11098, "label": "KING TUT PLAYING CARDS", "caption": "KING TUT PLAYING CARDS", "type": "image", "content": "Treasure_5x7ds_019.jpg", "thumb": "Treasure_44_019.jpg", "size": { "content": { "width": 792, "height": 1080 }, "thumb": { "width": 900, "height": 900 }, "bytes": 655001, "featuredImage": { "width": 0, "height": 0 } }, "searchable": true, "overrides": {}, "dateAdded": "2020-04-25T01:59:42.948Z", "linkTarget": "", "keywords": [ "82422CEF1415F8757EAD5C9C9F86B0F0", "xmp.did:ea0256ed-dc6b-40a6-8114-ad843f911722" ], "key": "11098", "filters": [ "04Treasures" ] }, "11099": { "id": 11099, "label": "Treasures card 020", "caption": "BATH TOWEL", "type": "image", "content": "Treasure_5x7ds_020.jpg", "thumb": "Treasure_44_020.jpg", "size": { "content": { "width": 792, "height": 1080 }, "thumb": { "width": 900, "height": 900 }, "bytes": 777820, "featuredImage": { "width": 0, "height": 0 } }, "linkTarget": "", "dateAdded": "2020-04-25T01:59:45.954Z", "filters": [ "04Treasures" ], "key": "11099", "overrides": {} }, "11100": { "id": 11100, "label": "Treasures card 021", "caption": "COOKIE CUTTER", "type": "image", "content": "Treasure_5x7ds_021.jpg", "thumb": "Treasure_44_021.jpg", "size": { "content": { "width": 792, "height": 1080 }, "thumb": { "width": 900, "height": 900 }, "bytes": 541208, "featuredImage": { "width": 0, "height": 0 } }, "filters": [ "04Treasures" ], "key": "11100", "linkTarget": "", "overrides": {}, "dateAdded": "2020-04-25T01:59:48.794Z" }, "11101": { "id": 11101, "label": "Treasures card 022", "caption": "ROUND GREEN SOFA PILLOW", "type": "image", "content": "Treasure_5x7ds_022.jpg", "thumb": "Treasure_44_022.jpg", "size": { "content": { "width": 792, "height": 1080 }, "thumb": { "width": 900, "height": 900 }, "bytes": 548284, "featuredImage": { "width": 0, "height": 0 } }, "dateAdded": "2020-04-25T01:59:51.861Z", "linkTarget": "", "key": "11101", "filters": [ "04Treasures" ], "searchable": true, "keywords": [ "adobe:docid:photoshop:f9300503-62e2-1177-8f79-c1a96c02d736" ], "overrides": {} }, "11104": { "id": 11104, "label": "Treasures card 025", "caption": "SOAP HOLDER", "type": "image", "content": "Treasure_5x7ds_025.jpg", "thumb": "Treasure_44_025.jpg", "size": { "content": { "width": 792, "height": 1080 }, "thumb": { "width": 900, "height": 900 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 461201 }, "linkTarget": "", "filters": [ "04Treasures" ], "overrides": {}, "dateAdded": "2020-04-25T01:59:57.238Z", "key": "11104" }, "11105": { "id": 11105, "label": "Treasures card 026", "caption": "ASHTRAY", "type": "image", "content": "Treasure_5x7ds_026.jpg", "thumb": "Treasure_44_026.jpg", "size": { "content": { "width": 792, "height": 1080 }, "thumb": { "width": 900, "height": 900 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 575021 }, "filters": [ "04Treasures" ], "dateAdded": "2020-04-25T02:00:01.593Z", "overrides": {}, "linkTarget": "", "key": "11105" }, "11106": { "id": 11106, "label": "Treasures card 027", "caption": "RECIPE FILE", "type": "image", "content": "Treasure_5x7ds_027.jpg", "thumb": "Treasure_44_027.jpg", "size": { "content": { "width": 792, "height": 1080 }, "thumb": { "width": 900, "height": 900 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 701811 }, "key": "11106", "dateAdded": "2020-04-25T02:00:05.735Z", "overrides": {}, "linkTarget": "", "filters": [ "04Treasures" ] }, "11107": { "id": 11107, "label": "Treasures card 028", "caption": "KISSING FIGURINES", "type": "image", "content": "Treasure_5x7ds_028.jpg", "thumb": "Treasure_44_028.jpg", "size": { "content": { "width": 792, "height": 1080 }, "thumb": { "width": 900, "height": 900 }, "bytes": 613554, "featuredImage": { "width": 0, "height": 0 } }, "filters": [ "04Treasures" ], "linkTarget": "", "key": "11107", "dateAdded": "2020-04-25T02:00:07.827Z", "overrides": {} }, "11108": { "id": 11108, "label": "Treasures card 030", "caption": "GARLIC PRESS", "type": "image", "content": "Treasure_5x7ds_029.jpg", "thumb": "Treasure_44_029.jpg", "size": { "content": { "width": 792, "height": 1080 }, "thumb": { "width": 900, "height": 900 }, "bytes": 557466, "featuredImage": { "width": 0, "height": 0 } }, "searchable": true, "dateAdded": "2020-04-25T02:00:09.775Z", "filters": [ "04Treasures" ], "key": "11108", "overrides": {}, "keywords": [ "6F93E60E5690F10ADB9336990D808F9E" ], "linkTarget": "" }, "11110": { "id": 11110, "label": "NOTEPAD", "caption": "NOTEPAD", "type": "image", "content": "Treasure_5x7ds_031.jpg", "thumb": "Treasure_44_031.jpg", "size": { "content": { "width": 792, "height": 1080 }, "thumb": { "width": 900, "height": 900 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 580155 }, "linkTarget": "", "overrides": {}, "dateAdded": "2020-04-25T02:00:13.090Z", "filters": [ "04Treasures" ], "key": "11110", "keywords": [ "adobe:docid:photoshop:08451059-62e3-1177-8f79-c1a96c02d736" ], "searchable": true }, "11112": { "id": 11112, "label": "Treasure card 033", "caption": "SAFETY DEPOSIT BOX KEY", "type": "image", "content": "Treasure_5x7ds_033.jpg", "thumb": "Treasure_44_033.jpg", "size": { "content": { "width": 792, "height": 1080 }, "thumb": { "width": 900, "height": 900 }, "bytes": 509128, "featuredImage": { "width": 0, "height": 0 } }, "dateAdded": "2020-04-25T02:00:16.463Z", "linkTarget": "", "overrides": {}, "key": "11112", "filters": [ "04Treasures" ] }, "11113": { "id": 11113, "label": "Treasure card 034", "caption": "JADE RING", "type": "image", "content": "Treasure_5x7ds_034.jpg", "thumb": "Treasure_44_034.jpg", "size": { "content": { "width": 792, "height": 1080 }, "thumb": { "width": 900, "height": 900 }, "bytes": 611499, "featuredImage": { "width": 0, "height": 0 } }, "overrides": {}, "key": "11113", "linkTarget": "", "filters": [ "04Treasures" ], "dateAdded": "2020-04-25T02:00:18.896Z" }, "11114": { "id": 11114, "label": "Treasure card 035", "caption": "PIRO'S BRACELET BOX", "type": "image", "content": "Treasure_5x7ds_035.jpg", "thumb": "Treasure_44_035.jpg", "size": { "content": { "width": 792, "height": 1080 }, "thumb": { "width": 900, "height": 900 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 595019 }, "linkTarget": "", "dateAdded": "2020-04-25T02:00:21.580Z", "filters": [ "04Treasures" ], "overrides": {}, "key": "11114" }, "11116": { "id": 11116, "label": "Treasure card 037", "caption": "JEWELRY BOX", "type": "image", "content": "Treasure_5x7ds_037.jpg", "thumb": "Treasure_44_037.jpg", "size": { "content": { "width": 792, "height": 1080 }, "thumb": { "width": 900, "height": 900 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 645287 }, "linkTarget": "", "overrides": {}, "key": "11116", "filters": [ "04Treasures" ], "dateAdded": "2020-04-25T02:00:25.628Z" }, "11117": { "id": 11117, "label": "Treasure card 038", "caption": "POCKET KNIFE", "type": "image", "content": "Treasure_5x7ds_038.jpg", "thumb": "Treasure_44_038.jpg", "size": { "content": { "width": 792, "height": 1080 }, "thumb": { "width": 900, "height": 900 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 458709 }, "filters": [ "04Treasures" ], "dateAdded": "2020-04-25T02:00:27.290Z", "key": "11117", "linkTarget": "", "overrides": {} }, "11118": { "id": 11118, "label": "Treasure card 039", "caption": "BUTTON CAN", "type": "image", "content": "Treasure_5x7ds_039.jpg", "thumb": "buttoncan-12.5.jpg", "size": { "content": { "width": 792, "height": 1080 }, "thumb": { "width": 900, "height": 900 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 758812 }, "dateAdded": "2020-04-25T02:00:29.748Z", "filters": [ "04Treasures" ], "key": "11118", "linkTarget": "", "overrides": {} }, "11119": { "id": 11119, "label": "Treasure card 040", "caption": "PENCIL CAN", "type": "image", "content": "Treasure_5x7ds_040.jpg", "thumb": "Treasure_44_040.jpg", "size": { "content": { "width": 792, "height": 1080 }, "thumb": { "width": 900, "height": 900 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 692455 }, "key": "11119", "dateAdded": "2020-04-25T02:00:32.623Z", "linkTarget": "", "filters": [ "04Treasures" ], "overrides": {} }, "11121": { "id": 11121, "label": "Treasure card 042", "caption": "WALL ART", "type": "image", "content": "Treasure_5x7ds_042.jpg", "thumb": "Treasure_44_042.jpg", "size": { "content": { "width": 792, "height": 1080 }, "thumb": { "width": 900, "height": 900 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 695678 }, "dateAdded": "2020-04-25T02:00:38.664Z", "overrides": {}, "linkTarget": "", "key": "11121", "filters": [ "04Treasures" ] }, "11122": { "id": 11122, "label": "Treasure card 043", "caption": "PAINTING DETAIL", "type": "image", "content": "Treasure_5x7ds_043.jpg", "thumb": "Treasure_44_043.jpg", "size": { "content": { "width": 792, "height": 1080 }, "thumb": { "width": 900, "height": 900 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 641188 }, "linkTarget": "", "overrides": {}, "dateAdded": "2020-04-25T02:00:41.335Z", "filters": [ "04Treasures" ], "key": "11122" }, "11123": { "id": 11123, "label": "Treasure card 044", "caption": "FRIS EDAM PLATE", "type": "image", "content": "Treasure_5x7ds_044.jpg", "thumb": "Treasure_44_044.jpg", "size": { "content": { "width": 792, "height": 1080 }, "thumb": { "width": 900, "height": 900 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 369468 }, "key": "11123", "overrides": {}, "linkTarget": "", "filters": [ "04Treasures" ], "dateAdded": "2020-04-25T02:00:43.203Z" }, "11124": { "id": 11124, "label": "WASHCLOTH ", "caption": "WASHCLOTH \n", "type": "image", "content": "Tresures_5x7ds_001.jpg", "thumb": "Treasure_44_001.jpg", "size": { "content": { "width": 792, "height": 1080 }, "thumb": { "width": 900, "height": 900 }, "bytes": 728892, "featuredImage": { "width": 0, "height": 0 } }, "overrides": {}, "filters": [ "04Treasures" ], "key": "11124", "linkTarget": "", "keywords": [ "EB3935A277B22580EE367DE6764D39A7" ], "searchable": true, "dateAdded": "2020-04-25T02:01:23.379Z" }, "11128": { "id": 11128, "label": "", "caption": "", "type": "html", "content": "

LIMITED EDITION PRINTS


All Without Words prints are archival pigment prints professionally printed on Canon fine art printers. Each image is made on Canson Infinity rag paper with a light texture and matte surface. The printer and paper combination are chosen for this photo series to give it a look that brings out the best of each photographic print. All photos are signed and editioned verso unless otherwise discussed.


WITHOUT WORDS grounded in nature


18x24 in. (46x61 cm) paper -16x22 in. (41x56 cm) image

edition of 8


24x32 in. (61x81 cm) paper - 22x30 in. (56x76 cm) image

edition of 6


34x44 in. (86x112 cm) paper - 30x40 in. (76x102 cm) image

edition of 3


EX Large custom sizes are available. Please contact me.


* 2 Artist prints per edition.

* Once an edition is sold through, no more prints of that image will be offered.

* Some images are unique pieces with stacked parts coming off the print.

* Some images are Ready-to-hang in walnut frames.

* If you want a private viewing, please email me.


EMAIL TO RESERVE A PRINT or go to SHOP.BOOTSYHOLLER


To inquire, please CONTACT






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LIMITED EDITION PRINTS


All Ruby & Willie prints are created on an in-house Canon fine art printer. I print mainly with Canson and Hahnemühle papers. The printer and paper combination is chosen for each photo series to give it a look that brings out the best of each photographic print series.


RUBY & WILLIE my grandparents' house


12 x 19 inches Archival pigment print

Price $ 650 - edition of 15


15 x 24 inches Archival pigment print

Price $ 1150 - edition of 10


22 x 36 inches Archival pigment print

Price $ 1800 - edition of 5


EX Large custom sizes are available. Please contact me.


Signed, dated, and editioned verso

Date of images: 2001-2004


To inquire, please CONTACT


* 2 Artist prints per edition.

* Please note that the prices can increase as each print sells through.

* Once an edition is sold through, no more prints of that image will be offered.




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LIMITED EDITION OBJECTS


Each unique Visitor image is printed on Museo rag paper to bring out its vintage feel. It is float mounted inside a black shadow box frame with handwritten white ink, a deckle, or straight hand-cut edges. Each has a small magnifying glass and chain attached to the frame.


VISITOR rebuilding the family album


Framed size: 14 x 14 inches

Image sizes: between 3 x 4 inches and 5 x 7 inches

Date: 2010 - 2012

Features: numbered, signed, dated, framed, unique handwriting

Price: $ 650 framed


* Edition of 5

* Archival pigment prints

* 2 Artist prints

* Once an edition is sold through, no more prints of that image will be offered.


To inquire, please CONTACT



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LIMITED EDITION PRINTS & OBJECTS


All Treasures grid prints come with nine images on a 24 x 24 inch Canson Infinity matte rag paper. Each is created and printed on professional Canon fine art printers in my studio. The printer and paper combination is chosen for this photo series to give it a look that brings out the best of each image.


TREASURES objects I've known all my life


Paper size: 24 x 24 inch

Grid size: 22 x 22 inches (individual images 7 x 7 inches)

Dates: 2013 - 2016

Edition: 3 (for any specific combination of 9)

Price: $ 1250


Signed, titled, dated, and editioned verso


To inquire, please CONTACT


* 2 Artist prints per edition.

* Please note that the prices can increase as each print sells through.

* Once an edition is sold through, no more prints of that image will be offered.





TREASURES BOX (collectible object)


The Treasures Box collection is an experience to thumb through with each 5 x 7-inch print on heavy Moab Entrada rag paper. The box includes 44 images plus a title, statement, and full grid collection card.


The handmade wood box is 6 x 8 x 3 inches with Treasures burned into the lid. A yellow ribbon pull brings the cards up and out of the box.


Signed, titled, dated, and editioned verso


Produced in: 2014

Cards: 44 total images

Dates: 2013 - 2014

Edition: 3 of 3

Materials: satin ribbon, branded wood box, title card.

Price: $ 950



TREASURES artist book

Limited Edition of 250

SHOP BOOKS







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LIMITED EDITION PRINTS


All Declassified prints are created in my studio on my Canon Fine Art printer. I print on a variety of papers by Canson and Hahnemühle. The printer and paper combination is chosen for each photo series to give it a look that brings out the best of each photographic print series. Unless otherwise requested, all images are signed, dated, and editioned verso.


DECLASSIFIED Hanford, a national secret


16 x 16 inches Archival pigment print

Price $ 950 - edition of 15


24 x 24 inches Archival pigment print

Price $ 1200 - edition of 10


Custom size or crop on request - Edition of 3


Dates between 2004 - 2016


To inquire, please CONTACT or SHOP.BOOTSYHOLLER


* 2 Artist prints per edition.

* Once an edition is sold through, no more prints of that image will be offered.







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My image 0429.2117 Savannah is offered up today on Your Daily Photograph. Go take a look.





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Bootsy Holler





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"linkTarget": "", "dateAdded": "2020-06-08T23:31:48.964Z", "keywords": [], "overrides": {}, "key": "11280" }, "11281": { "id": 11281, "label": "Living Room", "caption": "Living Room", "type": "image", "content": "130-Livingroom.jpg", "size": { "content": { "width": 1140, "height": 1140 }, "thumb": { "width": 0, "height": 0 }, "bytes": 387556, "featuredImage": { "width": 0, "height": 0 } }, "keywords": [], "overrides": {}, "searchable": true, "dateAdded": "2020-06-08T23:31:50.548Z", "linkTarget": "", "filters": [ "F-Portraits" ], "key": "11281" }, "11282": { "id": 11282, "label": "Jamie McMurry", "caption": "Performance artist Jamie McMurry, Los Angeles, ca", "type": "image", "content": "131-jamie_morning-R1-E009.jpg", "size": { "content": { "width": 1140, "height": 1140 }, "thumb": { "width": 0, "height": 0 }, "bytes": 352999, "featuredImage": { "width": 0, "height": 0 } }, "overrides": {}, "searchable": true, "linkTarget": "", "dateAdded": "2020-06-08T23:31:51.833Z", "keywords": [], 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"134-outpatient", "caption": "Out Patient - movie set", "type": "image", "content": "134-outpatient.jpg", "size": { "content": { "width": 1140, "height": 1140 }, "thumb": { "width": 0, "height": 0 }, "bytes": 495503, "featuredImage": { "width": 0, "height": 0 } }, "filters": [ "F-Portraits" ], "searchable": true, "dateAdded": "2020-06-08T23:31:56.596Z", "overrides": {}, "linkTarget": "", "keywords": [ "bootsy" ], "key": "11285" }, "11286": { "id": 11286, "label": "Will and Molly", "caption": "William Henry and Molly Sommer", "type": "image", "content": "135-WillieMolly.jpg", "size": { "content": { "width": 1140, "height": 1140 }, "thumb": { "width": 0, "height": 0 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 894348 }, "dateAdded": "2020-06-08T23:31:58.596Z", "searchable": true, "keywords": [ "bootsy" ], "linkTarget": "", "overrides": {}, "filters": [ "F-Portraits" ], "key": "11286" }, "11287": { "id": 11287, "label": "Figurine - Virgin Mary", "caption": "statue of Mary", "type": "image", "content": "136-maryhead_sm.jpg", "size": { "content": { "width": 1140, "height": 1140 }, "thumb": { "width": 0, "height": 0 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 329376 }, "filters": [ "F-Portraits" ], "dateAdded": "2020-06-08T23:32:00.205Z", "key": "11287", "keywords": [], "searchable": true, "linkTarget": "", "overrides": {} }, "11288": { "id": 11288, "label": "Goats - Thies West Africa", "caption": "Thies, West Africa", "type": "image", "content": "137-thies-R7-E076.jpg", "size": { "content": { "width": 1140, "height": 1140 }, "thumb": { "width": 0, "height": 0 }, "bytes": 427452, "featuredImage": { "width": 0, "height": 0 } }, "keywords": [ "bootsy" ], "dateAdded": "2020-06-08T23:32:01.589Z", "key": "11288", "overrides": {}, "filters": [ "F-Portraits" ], "linkTarget": "", "searchable": true }, "11289": { "id": 11289, "label": "Tiger Zane", "caption": "Tiger Zane", "type": "image", "content": "139-tiger_bh211.jpg", "size": { "content": { "width": 1140, "height": 1140 }, "thumb": { "width": 0, "height": 0 }, "bytes": 388335, "featuredImage": { "width": 0, "height": 0 } }, "key": "11289", "linkTarget": "", "searchable": true, "overrides": {}, "dateAdded": "2020-06-08T23:32:02.641Z", "keywords": [ "bootsy" ], "filters": [ "F-Portraits" ] }, "11290": { "id": 11290, "label": "Konrad Paul", "caption": "Konrad Paul", "type": "image", "content": "138-01konrad1.jpg", "size": { "content": { "width": 1140, "height": 1140 }, "thumb": { "width": 0, "height": 0 }, "bytes": 919401, "featuredImage": { "width": 0, "height": 0 } }, "key": "11290", "keywords": [ "toddler portrait", "Konrad Paul Sommer", "Hasselblad film" ], "postDate": "2020-06-08T23:34:39.321Z", "linkTarget": "", "filters": [ "F-Portraits" ], "searchable": true, "dateAdded": "2020-06-08T23:32:04.884Z", "overrides": {} }, "11293": { "id": 11293, "label": "2020 GRIFFIN MUSEUM OF PHOTOGRAPHY", "caption": "", "type": "html", "content": "

My image 0823.0815 Andrews Bay 24 x 32\" image, edition 1 of 6, was chosen by Juror Alexa Dilworth to be in the 26th Annual Members' Juried show at the Griffin Museum - Paula Tognarelli. I'm excited and honored to be with this wonderful group of photographers.


Bootsy Holler










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Ann Jastrab and Laura Sackett gave me Best of Show for the 2020 Members' Juried exhibition, WOW, so honored.


Ann wrote to say my framed unique image in the show with hand cut and layered flowers has SOLD. Amazing!


Thanks Ann Jastrab and Laura Sackett



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Without Words series made it through the first round of Critical Mass to the top 200. Next cut is hard. Visitor series made it to top 50 in 2011.


link to the list: PHOTOLUCIDA



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A Yellow Rose Project is a photographic collaboration of responses, reflections, and reactions to the 29th Amendment from over one hundred women across the United States.


Thank you to Med Griffiths & Frances Jakubek for organizing this project. I'm honored to be a part of this collection of amazing women artists across America.


August 18, 2020, marks the centennial of the 19th Amendment. It was on that day, 100 years ago, women wearing yellow roses stood shoulder to shoulder in Tennessee awaiting the roll call of men that would cast their votes for or against a woman’s right to a voice in government. 




LINK TO A YELLOW ROSE ARTIST PAGE - also found on iG









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PRESS - INTERVIEWS - HONORS

MAKiNG iT book

KING 5 NEW DAY NW - Seattle's King 5 New Day - Interview, 03/2026

ARTRIBUNE - 8 new art and culture books to start 2026 well, by Dario Moalli, 01/2026

MARIE CLAIRE - The last hope of the usic industry in a very powerful photo book, by Lucia Antista, 01/2026

ISN'T THAT NICE - A tribute to the golden era of indie rock, by Paul Moore, 001/2026

ROLLINGSTONE MAGAZINE - Italia, print + online, What happened in Seattle? by Mattia Barro, 12/2025

SPIN MAGAZINE - print issue, Interview by Bob Guccione Jr., Sound Check, 12/2025

HUNGER MAGAZINE - print issue + online Interview by Isha Khan, From the pit to the page, 12/30/2025

SMITHSONIAN MAGAZINE - The Ten Best Photography Books of 2025, by Donny Bajohr,12/09/25

CHUM.NEWS - Interview by Meron Menghistab, Bootsy Holler was there, 12/19/2025

NEXT GEN MAGAZINE - Best Coffee Table Books Gifts, 2025

CREATIVE ASYLUM - Interview, Podcast/YouTube, by Daniel House, 12/09/25

HUCK - Interview, Memories of Seattle's '90s & '00s musical underground, by Isaac Muk, 11/20/2025

L'OEIL DE LA PHOTOGRAPHIE - Questionaire by Carole Schmitz, 11/17/2025

THE EYE of PHOTOGRAPHY - PDF - Review & Questions, by Carole Schmitz, 11/17/2025

DOCUMENT JOURNAL - Interview by Upasana Das, Bootsy Holler's lost photos . ., 11/13/2025

KING 5 NEWS - Evening Magazine, TV Interview by Reporter/Producer Saint Bryan, 11/13/2025

D la REPUBBLICA MAGAZINE - print issue, 11/2025

HYPEBAE.com - Interview by Sylvia Shoshan, The sweaty nights and ringing ears . . . , 10/23/2025

LENSCRATCH - Interview by Aline Smithson, 11/09/2025

WALLPAPER* - 14 of the best new books for music buffs, 11/04/2025

LA WEEKLY - Interview by Michele Stueven, 10/31/2025

MY EDMONDS NEWS - Interview by Rachel Gardner, 10/31/2025

GUERRILLA CANDY - Interview by Chris Burlinghame,10/31/2025

ELLES x PARIS PHOTO 2025 - Bootsy Holler - Curated by Devrim Bayar dedicated to women artists, in partnership with the French Ministry of Culture.

SOUND & VISION 90.3 FM - Interview by KEXP Producer/Podcaster Roddy Nikpour, 09/2025

ANALOG SPARKS AWARDS - Honorable Mention - 09/2025

CH RIFFS - Interview by Producer Mike Squires, Podcast - YouTube, 07/2025


LENSCRATCH - Contaminated series, 12/2024

DARIA MAGAZINE - Review - A Thousand Beautiful Lies exhibition, 11/2024

CTION MAGAZINE MEDIA - Issue 179, Contaminated series, 10/2024

AESTHETICA MAGAZINE - Print Issue #121 - Without Words series, 10/2024

LEICA - MAKiNG iT exhibition,10/24

ART DAILY - MAKiNG iT exhibition, 09/2024

FREIZE - MAKiNG iT exhibition, 09/2024

FUSED MAGAZINE - Press - MAKiNG iT exhibition, 09/2024

ARTPIL - Press - MAKiNG iT exhibition, 09/2024

RISE WITH CLARITY - Podcast - Episode 28 – 2024

LA PHOTO CURATOR - Self-portrait pick scroll to #7 -2024

FAD MAGAZINE - Photo London 2023 Details under Environmental on CONTAMINATED series

PHOTO LONDON MAGAZINE - Issue #91 - CONTAMINATED series, 02/2023

FRIENDS OF THE ARTIST - Print or download only, Volume 15 - Without Words, 2022

DODHO MAGAZINE - Print Issue #21 - Without Words - 08/2022

SXSE MAGAZINE - Curators choice - 07/2022

PHOTOBOOK JOURNAL - Review - TREASURES book - 2022

VISIONARY ART COLLECTIVE - Stories I Tell Myself - Without Words 02/2022

AESTHETICA MAGAZINE - Issue #103 - 12/30/2021

ALL-ABOUT-PHOTO MAGAZINE - Issue #21 Color 2 pgs - 09/2021

TIMEOUT MAGAZINE - Best Color photos of the year 2021

VOYAGE LA - Interview - 10/4/2021

FINE ART SHIPPERS - Article - 7/8/2021

SHOUTOUT LA - Article - 3/8/2021

LENSCRATCH - Article - 2/28/2021

ART IN THE PLAGUE YEAR - California Museum of Photography - Article - 2/13/2021

LENSCRATCH - Art in the Plague Year - 2021

MUTUAL ART - 2021

SHANGHAI INTERNATIONAL PHOTO FESTIVAL - Without Words - 2020

CHINESE PHOTOGRAPHER MAGAZINE - Print only, 12-pg spread - Without Words & Visitor - 3/2020

LENSCRATCH - Review - TREASURES book - 1/2019

PHOTOBOOK JOURNAL - Review - 2019

THE STRANGER - Review - Seattle. WA - 11/2015

THE FLAT FILES - Review - WallSpace Gallery - 10/2015

FOUNDFOLIO - Interview - 4/2015

SANTA BARBARA NEWS PRESS - Review - 3/2015

DINING & DESTINATION - Review - Santa Barbara, CA - 3/2015

INDEPENDENT REVIEW - Review - Santa Barbara, CA - 3/2015

LENSCRATCH - Interview, Aline Smithson - 3/11/2015

RANGEFINDER - Interview, David J. Carol - 10/2013

PLATES-TO-PIXELS - Review - 6/2013

NATIONAL PUBLIC RADIO NPR - Review - 5/2013

THROWBACK THURSDAY - Review - 2013

LENSCRATCH - Review - 1/2011

SEATTLE WEEKLY - Review - 10/2006



































































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Honored to have been chosen to show my work in China this year. With all the crazy going on this was a thrill. I was not able to travel to the show and things were scaled down but they decided to still show the work. I sent files over and let them take care of it all. Thanks to Guo Jing.


SHANGHAI - WITHOUT WORDS

LINK TO FACEBOOK PAGE











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WITHOUT WORDS: grounded in nature


When I cannot speak, photography is my voice. 


My intent for Without Words is to show that we all experience moments of the human condition: pain, joy, isolation, pleasure, loneliness, and hope... And in them, we are not alone.  Because these feelings are universal, with these photographs, I hope to bring our eyes to the truth and beauty of the world surrounding us during our darkest and happiest moments. I want to transcend - from paper to feeling.


In this series of images, I am reminded that we all come from the same biology and are all equal…. No better than any animal, insect, plant, or tree. 

Nature will bring us back to the connectivity of all matter on Earth. 

And it is this humble respect we must find to ensure the survival of us all.

Why do we forget what surrounds us? The planet we live on, the oceans, the trees, the grasses, the animals - we have become detached. They are they, and we are us. 

But that’s far from the truth.


When I ground myself to the earth, I can see this. I am not stuck in the mud… I need the mud to survive.  

Without Words, my innermost thoughts come to life. Meaning that I can only understand after the fact. What might have started as despair now represents hope. With the lesson learned, what might have been negative now is seen as positive.

Inside each image is rebirth. Inside each image is an untangled string and a riddle solved. 

These are photographs that represent a journey of letting go and starting anew... Without Words.


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VISITOR: rebuilding the family album


I've often wondered what it might be like to experience the frozen moments in my family photographs and be connected. I want to understand myself and my DNA to experience where I have come from and how these people have influenced my being.


The goal with \"Visitor\" is to reinterpret my intimate family snapshots, explore time and history, and meet and understand family while blurring boundaries. I’m trying to understand my ancestry, particularly my mother, and why she is who she is. I want to know how I have been put together and created over generations and time through family to become me. I made a look driven by the era of each original photograph, pulling a wardrobe I’ve collected over the years and inherited from my grandmother, a seamstress. By making a composite, I’ve placed myself into each world I want to revisit. I want to understand my family's stories and memories through my research of each image and the feeling of setting myself back in the moment as I wait for the timer to snap the shot.


In my efforts to be authentic to the original photograph, I have matched the format of the original image: some soft grain and blown-out whites help match the old, authentic vintage feeling of each snapshot. Each image is printed in the original size and placed on a black photo album page, similar to how the images were found with white ink and handwritten text to guide the viewer through the album.


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DECLASSIFIED: Hanford, a national secret


Images of a time, a place, and a secret.


In December 1942, one year after the Japanese bombed Pearl Harbor, President Franklin D. Roosevelt claimed over 600 acres of desert steppe land near the confluence of the Columbia and Yakima rivers in Southeastern Washington State for a top-secret project. Up to that point, the region had been a quiet farming community, but due to its unique ecological and geographic properties, it was chosen to be the home of the world’s first nuclear bomb. These 600 acres are now considered the most toxic place in America. This place is Hanford, Washington - where I’m from.


The story of Hanford had been a national secret that few people fully understood until August 1945, when the atomic bombs were dropped on Hiroshima and Nagasaki. Only in the wake of those 135,000 deaths did the people of Hanford begin to learn the purpose of their town: to produce the plutonium that fueled one of America’s atomic bombs.


As a native of this profoundly mysterious and conflicted place, I grew up in a culture where larger truths were never known. My father managed Nuclear Operations at Hanford and has only recently begun to reveal his secrets.


As an artist, I am drawn to Hanford’s many ironies, not the least of which are the extreme beauty of the untouched land that covers a vast amount of toxic waste, a high-school mascot that symbolizes my hometown’s infamy (a nuclear mushroom cloud), and street names that record the legacy that led to the death of so many and changed the course of history. I wanted to document Hanford as a testament to resilience in the face of man’s destructive capacity.


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"dateAdded": "2020-10-28T20:56:21.274Z", "postDate": "2021-02-04T22:35:50.047Z", "filters": [ "03Declassified" ], "key": "11340", "linkTarget": "" }, "11341": { "id": 11341, "label": "CAUTION sign", "caption": "", "type": "image", "content": "CAUTION_hanford.jpg", "size": { "content": { "width": 1140, "height": 1140 }, "thumb": { "width": 0, "height": 0 }, "bytes": 175464, "featuredImage": { "width": 0, "height": 0 } }, "key": "11341", "dateAdded": "2020-10-28T20:56:22.194Z", "searchable": true, "linkTarget": "", "keywords": [ "Government", "secret", "desert", "hanford", "nuclear", "plutionium", "radiation", "radioactive", "columbia river", "waste" ], "overrides": {}, "filters": [ "03Declassified" ] }, "11342": { "id": 11342, "label": "Columbia River Morning", "caption": "", "type": "image", "content": "Columbia_River_Morning_Hanford.jpg", "size": { "content": { "width": 1140, "height": 1140 }, "thumb": { "width": 0, "height": 0 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 166178 }, "linkTarget": "", "searchable": true, "filters": [ "03Declassified" ], "overrides": {}, "dateAdded": "2020-10-28T20:56:23.069Z", "keywords": [ "secret", "hanford", "nuclear", "columbia river", "Columbia river reach" ], "key": "11342" }, "11345": { "id": 11345, "label": "Desert Aire & Columbia River", "caption": "Desert Aire and the Columbia River", "type": "image", "content": "Desert_Aire_Hanford.jpg", "size": { "content": { "width": 1140, "height": 1140 }, "thumb": { "width": 0, "height": 0 }, "bytes": 524642, "featuredImage": { "width": 0, "height": 0 } }, "linkTarget": "", "key": "11345", "filters": [ "03Declassified" ], "overrides": {}, "dateAdded": "2020-10-28T20:56:26.068Z", "keywords": [ "desert", "columbia river", "desert aire", "landscape of eastern Washington", "eastern Washington", "square photography" ], "postDate": "2021-02-04T22:36:05.603Z", "searchable": true }, "11347": { "id": 11347, "label": "Electrical Giants", "caption": "Electrical Giants", "type": 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} }, "postDate": "2021-02-04T22:36:19.505Z", "filters": [ "03Declassified" ], "linkTarget": "", "overrides": {}, "dateAdded": "2020-10-28T20:56:32.988Z", "key": "11350", "keywords": [ "desert", "hanford", "columbia river", "desert aire", "Hope sign", "eastern Washington" ], "searchable": true }, "11351": { "id": 11351, "label": "No Trespassing sign out at Hanford", "caption": "", "type": "image", "content": "No_Trespassing_sign_Hanford.jpg", "size": { "content": { "width": 1140, "height": 1140 }, "thumb": { "width": 0, "height": 0 }, "bytes": 713885, "featuredImage": { "width": 0, "height": 0 } }, "postDate": "2021-02-04T22:36:22.415Z", "linkTarget": "", "dateAdded": "2020-10-28T20:56:33.975Z", "overrides": {}, "filters": [ "03Declassified" ], "key": "11351", "keywords": [ "Government", "secret", "desert", "hanford", "nuclear", "plutionium", "radiation", "radioactive", "columbia river", "waste" ] }, "11352": { "id": 11352, "label": "Notice Sign as you drive out to 300 area at Hanford", "caption": "", "type": "image", "content": "Notice_Hanford.jpg", "size": { "content": { "width": 1141, "height": 1140 }, "thumb": { "width": 0, "height": 0 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 515342 }, "postDate": "2021-02-04T22:36:25.734Z", "keywords": [ "Government", "secret", "desert", "hanford", "nuclear", "plutionium", "radiation", "radioactive", "columbia river", "waste" ], "filters": [ "03Declassified" ], "key": "11352", "linkTarget": "", "overrides": {}, "dateAdded": "2020-10-28T20:56:34.932Z" }, "11353": { "id": 11353, "label": "Plutonium Production plant map", "caption": "Plutonium Production plant map", "type": "image", "content": "PlutoniumProduction_Map_Hanford.jpg", "size": { "content": { "width": 1300, "height": 735 }, "thumb": { "width": 0, "height": 0 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 146549 }, "linkTarget": "", "filters": [ "03Declassified" ], "postDate": "2021-02-04T22:36:56.353Z", "key": "11353", "keywords": [ "Government", "secret", "desert", "hanford", "nuclear", "plutionium", "radiation", "radioactive", "columbia river", "waste" ], "overrides": {}, "searchable": true, "dateAdded": "2020-10-28T20:56:35.855Z" }, "11354": { "id": 11354, "label": "Reactors on the Columbia River Reach", "caption": "Columbia River looking out at Nuclear Reactors encased in 8 feet of cement", "type": "image", "content": "Reactors_Columbia_River.jpg", "size": { "content": { "width": 1140, "height": 1140 }, "thumb": { "width": 0, "height": 0 }, "bytes": 197237, "featuredImage": { "width": 0, "height": 0 } }, "key": "11354", "filters": [ "03Declassified" ], "linkTarget": "", "postDate": "2021-02-04T22:36:29.293Z", "keywords": [ "Government", "desert", "hanford", "plutionium", "columbia river", "waste", "columbia river reach" ], "dateAdded": "2020-10-28T20:56:36.684Z", "overrides": {}, "searchable": true }, "11356": { "id": 11356, "label": "Saddle Mountain from Hanford Reservation", "caption": "", "type": "image", "content": "Saddle_MT_Hanford.jpg", "size": { "content": { "width": 1140, "height": 1140 }, "thumb": { "width": 0, "height": 0 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 318267 }, "overrides": {}, "linkTarget": "", "dateAdded": "2020-10-28T20:57:31.864Z", "keywords": [ "desert", "hanford", "plutionium", "columbia river", "saddle mountain", "landscape", "square photos" ], "filters": [ "03Declassified" ], "searchable": true, "postDate": "2021-02-04T22:36:38.221Z", "key": "11356" }, "11357": { "id": 11357, "label": "Map of the Tank Farms at Hanford", "caption": "", "type": "image", "content": "Tank_Farms_Hanford.jpg", "size": { "content": { "width": 1000, "height": 915 }, "thumb": { "width": 0, "height": 0 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 75943 }, "linkTarget": "", "key": "11357", "searchable": true, "keywords": [ "Government", "secret", "desert", "hanford", "nuclear", "plutionium", "radiation", "radioactive", "columbia river", "waste" ], 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Tumbleweed", "type": "image", "content": "TumbleWeed_HANFORD.jpg", "size": { "content": { "width": 1140, "height": 1140 }, "thumb": { "width": 0, "height": 0 }, "bytes": 777039, "featuredImage": { "width": 0, "height": 0 } }, "overrides": {}, "dateAdded": "2020-10-28T20:59:23.624Z", "keywords": [ "desert", "hanford", "radioactive", "columbia river", "Tumble week photo", "portrait of a tumble weed", "russion thistle" ], "filters": [ "03Declassified" ], "postDate": "2021-02-04T22:36:53.461Z", "linkTarget": "", "searchable": true, "key": "11363" }, "11364": { "id": 11364, "label": "Old Road out at Hanford", "caption": "", "type": "image", "content": "Road_HANFORD.jpg", "size": { "content": { "width": 1140, "height": 1140 }, "thumb": { "width": 0, "height": 0 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 497069 }, "linkTarget": "", "dateAdded": "2020-10-28T20:59:57.763Z", "keywords": [ "Government", "secret", "desert", "hanford", "nuclear", "plutionium", "radiation", 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TREASURES: objects I’ve known all my life


The photographs in Treasures are of simple objects from my mother’s home that I have known all my life. My mother has always been very particular about how she likes her things—every item has its place, and every task has its way of being done. Inevitably, these things and this way have also become part of my life. 


The truth is, I am uncomfortable talking about my work as it reveals parts of myself that would be easier left unexamined. I thought I was merely documenting objects when photographing my mother's items. Instead, it has become a portrait of my mom and me and our relationship. It’s not that these things are her ‘Treasures’ per se, because she thought these things were so important to take care of, and there were so many rules around how these things were to be handled, they felt like they were more important than me.


So, this collection of photographs started as an act of curiosity. It now feels like one of acceptance. I realize now that this work is not about me being less important than these items; instead, it’s about my fears of not only becoming my mother but also of affecting my son through the lessons I have learned from her. 


These objects we live with, that we build our lives around, that we give breath to, become part of our lives -- and tell our stories.


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RUBY & WILLIE: my grandparents' house


These images are just a sampling from the rolls of film I shot. The images were taken in Ruby and Willie’s home at 1824 Davison, Richland, Washington. Ruby passed in 1978, leaving Willie to live alone. He lived in the basement and kitchen, not touching any rooms. I documented each room as I would a museum, capturing all the details in the kitchen, living room, dining room, hallway, boys’ room, girls’ room, Ruby’s room, the downstairs TV room, and finally, Willie's basement bedroom.


I began documenting their simple décor in December 1999 when I visited. Maybe I knew this home, which looked like a movie set, would soon be destroyed. Within four months, my grandfather fell sick and passed away. This home, which hadn’t been changed in more than 25 years, was soon stripped down to nothing. Everything was gone.


As generations leave us, they take with them their environments. I used photography for what it does best: to document a place and time before it is gone.


Each photograph will be able to stand alone or be combined in a linear or stacked grouping describing a single room or is also beautiful as a large grid of images forming one giant piece.


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The Center for Photographic Art - 2020 International Juried Exhibition in Carmel Ca. Juried by Aline Smithson from Lenscrach.com .

I'm honored to know my image 0821.1645 Camp Rock (shot this summer during the pandemic) was chosen to be show in the Gallery along with 48 other images + another 70 online.


The show is open Nov. 14 - Dec 20 2020 @ Center for Photographic Art


LENSCRACH review





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DON'T TAKE PICTURES FALL 2020 ISSUE 15 - The Fiction Issue


Included a piece with Ophelia images and Kat chose my modern day image 0415-1844 Ahu Lani 2018-19.





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ART IN THE PLAGUE YEAR

click on link above to see the whole show.











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OPEN SHOW LA #61 & LACP - FEBRUARY 18TH, 2021 Pacific time 5 PM - 6:30 PM

pleae register thru LACP link below, it's free.


REGISTER






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I will be at the show every day. Visit me and use the code 30HOLLER for a 30% discount on your tickets. enter the code first before moving on to payment.


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TICKETS - Follow the link and enter code 30HOLLER for 30% off presale tickets


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Stories, Memories + Histories @ The Center for Fine Art Photography, CO.", "caption": "The poster for \"Stories, Memories + Histories\" exhibition @ The Center for Fine Art Photography, CO.", "type": "image", "content": "BootsyHoller_01.jpg", "size": { "content": { "width": 436, "height": 612 }, "thumb": { "width": 0, "height": 0 }, "bytes": 196756, "featuredImage": { "width": 0, "height": 0 } }, "keywords": [], "filters": [ "02Visitor" ], "key": "11467", "linkTarget": "", "searchable": true, "dateAdded": "2021-11-24T03:42:09.915Z", "overrides": {} }, "11468": { "id": 11468, "label": "Visitor on the walls at FotoFever, Paris", "caption": "\"All Women are Dangerous\" group exhibition at Building Bridges Annex at Bergamot Station. \n\n", "type": "image", "content": "VisitorPotoFever-15.jpg", "size": { "content": { "width": 400, "height": 600 }, "thumb": { "width": 0, "height": 0 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 161300 }, "searchable": true, "dateAdded": "2021-11-24T03:50:13.463Z", "linkTarget": "", "overrides": {}, "key": "11468", "filters": [ "02Visitor" ], "keywords": [] }, "11469": { "id": 11469, "label": "BBX_Show in Santa Monica, CA.", "caption": "VISITOR on the walls at FotoFever, Paris, 2013.\n", "type": "image", "content": "BBX_1732.jpg", "size": { "content": { "width": 833, "height": 1250 }, "thumb": { "width": 0, "height": 0 }, "bytes": 623674, "featuredImage": { "width": 0, "height": 0 } }, "linkTarget": "", "overrides": {}, "searchable": true, "keywords": [ "xmp.did:e34a4e11-f776-4615-8b41-6da2f59b8730" ], "filters": [ "02Visitor" ], "dateAdded": "2021-11-24T03:55:53.699Z", "key": "11469" }, "11470": { "id": 11470, "label": "VOYAGE LA INTERVIEW -- OCT 4, 2021", "caption": "", "type": "html", "content": "

VOYAGE LA interview with Bootsy Holler about life and art. Follow the green link to read the full interview.




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I'm now being represented by Virginia Damtsa - Virginia Visual Arts, London. At the same time, she has me now up on ARTNET.com.




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Honored to receive second place at the 2021 International Juried Exhibition in Carmel, CA at the Center for Fine Art Photography. The show jurors Debra Klomp Ching and Darren Ching chose from 2200 entries to have 45 images on the walls and another 45 online. I also have a second image in the online exhibition.


2nd Place - Wanda Radiation from CONTAMINATED series


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\"Aesthetica\"


Creativity Under Constraint

Emerging from lockdown, many of us might find that our memories are hazy, the events of the last 20 months blending together as we moved from one room to the next, and back again. For many of us, 2020 is a year that’s hard to remember at all. Beyond human reception to trauma, there’s a tangible reason for this blurring as our brains stop taking notes of our surroundings. As British economist Tim Harford notes: “Our brains seem to record a new place with a particular vividness. Even when a moment has nothing to do with place and everything to do with intellectual or emotional novelty, place still registers. A month of repeating the same routine might seem endless, but will be barely a blip in the memory: the ‘diffs’ are not significant enough for the brain to bother with.” (Financial Times, August 2020). 


Despite this sense of stagnation, creativity thrives in constraints. California Museum of Photography celebrates this notion with an online exhibition, Art in the Plague Year. In this expansive show, subtitled There is Another World, But it is in this One, 55 photographers explore how the future leaks into the present – how we can use art to find new pathways beyond the physical. Douglas McCulloh, Senior Curator, notes: “What will emerge from a year of tumultuous events? How do we cross into a new future? 2020 was a year of beauty, pain and strangeness. Coronavirus laid bare societal inequities, racial rifts and economic injustices. Artists, meanwhile, did what they always do: respond, create, guide us into the future.” Art in the Plague Year is a testament to photography as a record, and also as an act of recovery.



https://www.artintheplagueyear.com/


Image Credits:

1. Bootsy Holler, Deadman Cove – 0811.1949 (2020), courtesy of the artist and Virginia Visual Arts, London www.virginiavisualarts.com





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FLOAT MAGAZINE

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CHROMATOGRAPHY - Float Photo Magazine\n

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Thanks, FLOAT magazine, for being inspired to use my image \"Kona\" from the series \" Without Words\" to show emotions and color.\n\n\" . . . in black & white you suggest; in color you state. Much can be implied by suggestion, but a statement demands certainty . . . absolute certainty.\" - Paul Outerbridge

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https://issuu.com/floatphotomagazine/docs/chromatography
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Settlement - Poem by Tom Weiss

photo: Bootsy Holler

I’m divorcing my dogs Cooper and Stella other dogs abound but they’re not mine we don’t know each other at every glance and move how to lie together, studied harmony give and get warmth and grace absolute acceptance these are our last days an unintended consequence of my personal global warming inexorable tectonics long denied now made manifest it has taken so long for deep movements to become inescapable where I live up here on land I had to step lively or be consumed in a fissure so deep and wide I am amazed I called it by a different name for so many years pretending it was a landscape feature improvable with dirt bulbs mulch so I’ll be here for my dogs while they remain for me I’m breaking eggs an omelet for their kibble to soothe the agony to come they will adapt much better faster than I as they focus more on what is new than what was lost when I divorced my dogs



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Museum of Nature of Cantabria

Carrejo - Cabezón de la Sal - Cantabria - Spain

August 6 to September 30, 2022


Guest Curator

Marisa Caichiolo

Curators

Andrea Juan & Gabriel Penedo Diego


Forty-three artists in total, from different countries, from different cultures, and with dissimilar realities but with a single vocation, to be artists and with a single purpose, to pay homage to Nature and remind us that the place where we live is also unique and magical, like the moment of creation, and that it is our task to take care of it.

Nature, as a heritage, must be preserved; this is the aim of the Museum of Nature of Cantabria. The works exhibited in Art in Nature II embrace and share it from an aesthetic and emotional point of view, its mission: Caring for and preserving Nature, which is caring for and preserving ourselves.









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Bootsy Holler for SAVANNAH

FIRST PLACE - International Call for Entry

10th ANNIVERSARY at New York Center for Photographic Art

Juror: Elizabeth Avedon






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Dodho magazine 21 Without Words






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Listen on YOUTUBE link






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PhotoLondon Magazine Spotlights 2 series by American artist Bootsy Holler.

View full issue









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Visit me in the UK at Photo London in the Discovery section, Booth D03.

I'll be showing Without Words and the CONTAMINATED series.






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NAT Residencia de Arte in Tagle, De Suances, Cantabria, en el norte de España.


I created this video to remember my father and our relationship while at my residency in Spain. For more information and pictures, follow the above-underlined links.








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Brain Cancer", "caption": "Julia - Brain Cancer, 2021-2023 - framed 16x20\", Edition 5+2AP, Archival pigment print on Canson Infinity fine art paper.", "type": "image", "content": "julia.jpg", "size": { "content": { "width": 1348, "height": 1660 }, "thumb": { "width": 0, "height": 0 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 619110 }, "linkTarget": "", "postDate": "2023-08-08T19:02:44.297Z", "filters": [ "01Contaminated" ], "dateAdded": "2023-08-08T19:02:35.458Z", "keywords": [ "adobe:docid:photoshop:396e96dd-8007-1144-8bfc-3ff4bf8e7e8b" ], "overrides": {}, "key": "11570", "searchable": true }, "11572": { "id": 11572, "label": "Sunshady Days Exhibition 08/30/2023 ", "caption": "", "type": "html", "content": "

AN/T Gallery

September, Sat. 2nd & Sun. 3rd only

All day at the Bumbershoot Music & Arts Festival

A 50-year photographic retrospective of Bumbershoot Curated by Photographic Center Northwest (PCNW).

PCNW is thrilled to partner with Bumbershoot to present a crowd-sourced photography exhibition celebrating the 50th anniversary of the Bumbershoot Festival told through the lens of the audience. Occupying the AN/T gallery at Seattle Center Sunshade Days will embrace five decades of art, music, fashion, and community that have made Bumbershoot vital to our region's cultural landscape.



Get Tickets at https://bumbershoot.com


I will have four images represented in the exhibition.

Below is the crowd waiting for Modest Mouse to come on stage after Sonic Youth 2002.

If you are interested in any work representing Bumbershoot's 50th anniversary, please get in touch with Photo Center NW. https://pcnw.org

Contact me for a studio appointment to see more of my fine art.





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Artist talk online


Link to see the work. https://www.circleproart.com/en-gb/bootsy-holler












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Link to Register

Link to Register





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SEPTEMBER- 28 OCTOBER 2024

MAKiNG iT: An Intimate Documentary on the Seattle Indie, Rock & Punk Scene, 1992-2008

Leica Gallery London is pleased to present  MAKiNG iT: An Intimate Documentary of the Seattle Indie, Rock & Punk Scene, 1992-2008, by American artist Bootsy Holler, curated by Virginia Damtsa and Lou Proud.


This exhibition was conceived during Photo London 2023, when Leica London Gallery's Director, Lou Proud, visited curator and art dealer Virginia Damtsa's exhibition, \"Contaminated\" by Holler. During this visit, Damtsa gave Proud an exclusive glimpse of Bootsy's unseen post-grunge Seattle photographs.





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The band was nominated in 2022 for two Grammy Awards.", "type": "image", "content": "webFleetFoxes_0316.jpg", "size": { "content": { "width": 1040, "height": 693 }, "thumb": { "width": 0, "height": 0 }, "bytes": 487651, "featuredImage": { "width": 0, "height": 0 } }, "keywords": [], "overrides": {}, "dateAdded": "2024-06-04T22:13:26.322Z", "linkTarget": "", "filters": [ "06Making It " ], "searchable": true, "key": "11589" }, "11590": { "id": 11590, "label": "IN THE TUB - Brooklyn, NY, 1999", "caption": "IN THE TUB - Brooklyn, NY, 1999 | 24x16 inches | Archival pigment print from negative | Edition of 5 - Bootsy in the tub, visiting friends in New York.", "type": "image", "content": "web1999-BootsyBrooklyn.jpg", "size": { "content": { "width": 1040, "height": 693 }, "thumb": { "width": 0, "height": 0 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 406201 }, "overrides": {}, "keywords": [], "linkTarget": "", "dateAdded": "2024-06-04T22:20:20.933Z", "searchable": true, "filters": [ "06Making It " ], "key": "11590" }, "11591": { "id": 11591, "label": "Rememberbeach", "caption": "", "type": "image", "content": "Rememberbeach.png", "size": { "content": { "width": 1649, "height": 1235 }, "thumb": { "width": 0, "height": 0 }, "bytes": 3552365, "featuredImage": { "width": 0, "height": 0 } }, "keywords": [], "linkTarget": "", "filters": [ "D-News" ], "overrides": {}, "dateAdded": "2024-06-08T17:48:53.560Z" }, "11592": { "id": 11592, "label": "rememberfire2024-06-08at10.44.39AM", "caption": "", "type": "image", "content": "rememberfire2024-06-08at10.44.39AM.png", "size": { "content": { "width": 1652, "height": 1230 }, "thumb": { "width": 0, "height": 0 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 4732516 }, "overrides": {}, "dateAdded": "2024-06-08T17:48:57.188Z", "linkTarget": "", "filters": [ "D-News" ], "keywords": [] }, "11593": { "id": 11593, "label": "Rememberkaleidoscope2024-06-08at10.44.56AM", "caption": "", "type": "image", "content": "Rememberkaleidoscope2024-06-08at10.44.56AM.png", "size": { "content": { "width": 1650, "height": 1241 }, "thumb": { "width": 0, "height": 0 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 2948198 }, "filters": [ "D-News" ], "overrides": {}, "keywords": [], "linkTarget": "", "dateAdded": "2024-06-08T17:48:59.687Z" }, "11594": { "id": 11594, "label": "Rememberstrips2024-06-08at10.45.15AM", "caption": "", "type": "image", "content": "Rememberstrips2024-06-08at10.45.15AM.png", "size": { "content": { "width": 1645, "height": 1233 }, "thumb": { "width": 0, "height": 0 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 2366513 }, "dateAdded": "2024-06-08T17:49:01.695Z", "overrides": {}, "keywords": [], "linkTarget": "", "filters": [ "D-News" ] }, "11595": { "id": 11595, "label": "Ginger - Technical Secretary sculpture", "caption": "Ginger - Technical Secretary sculpture", "type": "image", "content": "SlideRuleGinger_DSC1250.jpg", "size": { "content": { "width": 1240, "height": 827 }, "thumb": { "width": 0, "height": 0 }, "bytes": 650479, "featuredImage": { "width": 0, "height": 0 } }, "linkTarget": "", "searchable": true, "overrides": {}, "keywords": [], "filters": [ "01Contaminated" ], "key": "11595", "dateAdded": "2024-06-08T18:18:35.605Z" }, "11596": { "id": 11596, "label": "Detail - Ginger - Technical Secretary", "caption": "Detail - Ginger - Technical Secretary", "type": "image", "content": "SlideRuleGingerCU_DSC1226copy.jpg", "size": { "content": { "width": 810, "height": 1240 }, "thumb": { "width": 0, "height": 0 }, "bytes": 989579, "featuredImage": { "width": 0, "height": 0 } }, "keywords": [], "searchable": true, "dateAdded": "2024-06-08T18:19:06.422Z", "filters": [ "01Contaminated" ], "key": "11596", "linkTarget": "", "overrides": {} }, "11597": { "id": 11597, "label": "Detail - Paul's Slide Rule ", "caption": "Detail - Paul's Slide Rule Sculpture", "type": "image", "content": "SlideRuleDustyCU_DSC1312copy.jpg", "size": { "content": { "width": 804, "height": 1240 }, "thumb": { "width": 0, "height": 0 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 886364 }, "overrides": {}, "filters": [ "01Contaminated" ], "key": "11597", "searchable": true, "linkTarget": "", "dateAdded": "2024-06-08T18:21:28.374Z", "keywords": [] }, "11598": { "id": 11598, "label": "Paul's Slide Rule Sculpture ", "caption": "Paul's Slide Rule Sculpture at Center for Fine Art Photography, \"A Thousand Beautiful Lies\" exhibition.", "type": "image", "content": "SlideRuleDusty_DSC1316copy.jpg", "size": { "content": { "width": 1240, "height": 827 }, "thumb": { "width": 0, "height": 0 }, "bytes": 721433, "featuredImage": { "width": 0, "height": 0 } }, "dateAdded": "2024-06-08T18:21:30.146Z", "key": "11598", "overrides": {}, "searchable": true, "keywords": [], "linkTarget": "", "filters": [ "01Contaminated" ] }, "11599": { "id": 11599, "label": "Why make a book?", "caption": "3 min. interview ", "type": "video", "content": "vimeo:977116718", "thumb": "MAKiNGiTvideoshot.jpg", "size": { "content": { "width": 1920, "height": 1080 }, "thumb": { "width": 720, "height": 402 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 0 }, "searchable": true, "overrides": {}, "keywords": [ "photography", "Music book", "Making it book", "seattle music in the 90s", "seattle music", "music 2000s", "seattle music 2000s", "indie music", "Bootsy Holler" ], "dateAdded": "2024-07-04T22:55:48.150Z", "key": "11599", "linkTarget": "", "filters": [ "06Making It " ] }, "11607": { "id": 11607, "label": "MAKiNG iT", "caption": "", "type": "html", "content": "

BOOK OFFERINGS

SIGNED BOOK w/ a PRINT or SIGNED BOOK w/ POSTCARD PACK at SHOP.BOOTSYHOLLER.COM


In Europe, go to DAMIANI BOOKS


U.S.

FIND books online or in the store

SKYLIGHT BOOKS.COM

1818 NORTH VERMONT AVE.,

LOS ANGELES, CA 90027

323-660-1175

OPEN EVERY DAY • 10 A.M. - 10 P.M.


in store only

ARCANA: Books on the Arts

8675 WASHINGTON BLVD.,

CULVER CITY, CA 900232

310-458-1499

OPEN WEDnesday - sunday • 11 A.M. - 7 P.M.


Get added to my mailing list.


Book Events:

More events in January/Feburary 2026


2025

Oct. 29 - Los Angeles, Skylight Books RSVP

Nov. 1 - Seattle, Easy Street Records

Nov. 4 - Seattle, Third Place Books - Seward Park - RSVP

Nov. 8 - Paris, Alta Vista Arts Show

Nov. 11 - London, House of Koko, Must RSVP

Nov. 12-16 - Paris Photo w/ Damiani

Nov. 22 - New York, Leica Gallery


MAKiNG iT: an intimate documentary on the seattle indie, rock & punk scene 1992-2008


Holler's personal story is witness to an artist in her 20s documenting little-known bands who later defined a decade in music history - capturing live gigs, portraits, and the remnants and landscapes of a scene that was the formative stage for groups such as Death Cab for Cutie, Fleet Foxes, Interpol, Macklemore, Modest Mouse, The Gossip and Yeah Yeah Yeahs, along with Beck, Foo Fighters- Dave Grohl, Moby, Pearl Jam, The Posies, and R.E.M.


\"I lived it: the dark days, the rain, the dampness in your bones. I supported local venues, lived with a band, drank coffee, shot heroin, got pregnant, and had an abortion, not in that order. This collection of images is a piece of my life while trying to make it, stay alive, and survive as a working artist, just like all these musicians.\"


The work is a pilgrimage back in time, a nostalgic trip for anyone who remembers their 20s, cherishes music or yearns for a time when nobody texted or had a camera in their pocket. This series transcends the boundaries of music or a single life story. It's about heeding your instincts. \"I was documenting my life. The musicians, promoters, and bouncers were my friends, and I went to see bands I enjoyed and places I could get in for free.\"


Holler was a working photographer with the personality to walk into small venues and document the music scene easily. \"I didn't know I was in the middle of something new.\" Not only was the Seattle sound changing, but bands from New York to California came through the clubs with an experimental and progressive energy embraced by the scene. The kids had rebelled, and a new sound was evolving.



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MAKiNG iT exhibition is up


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LAST CHANCE - THE SHOW IS CLOSING ON OCT. 31ST AT THE LEICA GALLERY, MAYFAIR, LONDON. 64-66 DUKE ST.



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\"A Thousand Beautiful Lies,\" exhibition CO.", "type": "image", "content": "ATBL-CO.767.jpg", "size": { "content": { "width": 945, "height": 1260 }, "thumb": { "width": 0, "height": 0 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 803494 }, "linkTarget": "", "key": "11669", "dateAdded": "2024-11-08T21:32:12.355Z", "keywords": [], "overrides": {}, "searchable": true, "filters": [ "01Contaminated" ] }, "11670": { "id": 11670, "label": "John Blood Cancer and Dusty & Lou Stomach Cancer, 2024 - C4FAP exhibition CO.", "caption": "L - John Blood Cancer and R - Dusty & Lou Stomach Cancer Sculptures, 2024 - C4FAP exhibition CO.", "type": "image", "content": "ATBL-CO.768.jpg", "size": { "content": { "width": 1260, "height": 945 }, "thumb": { "width": 0, "height": 0 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 659937 }, "linkTarget": "", "overrides": {}, "keywords": [], "searchable": true, "filters": [ "01Contaminated" ], "dateAdded": "2024-11-08T21:32:39.299Z", "key": "11670" }, "11671": { "id": 11671, "label": "Jack - 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Breast Cancer, 2024 - C4FAP exhibition CO.", "caption": "Virginia - Breast Cancer, 2024 - C4FAP exhibition CO.", "type": "image", "content": "ATBL-CO.791.jpg", "size": { "content": { "width": 1260, "height": 945 }, "thumb": { "width": 0, "height": 0 }, "bytes": 746724, "featuredImage": { "width": 0, "height": 0 } }, "linkTarget": "", "overrides": {}, "searchable": true, "filters": [ "01Contaminated" ], "key": "11673", "keywords": [], "dateAdded": "2024-11-08T21:33:21.115Z" }, "11674": { "id": 11674, "label": " Julia Brain Cancer, 2024 - C4FAP exhibition CO.", "caption": " Julia Brain Cancer, 2024 - \"A Thousand Beautiful Lies,\" exhibition CO.", "type": "image", "content": "ATBL-CO.786.jpg", "size": { "content": { "width": 945, "height": 1260 }, "thumb": { "width": 0, "height": 0 }, "featuredImage": { "width": 0, "height": 0 }, "bytes": 636564 }, "dateAdded": "2024-11-08T21:33:39.281Z", "overrides": {}, "linkTarget": "", "searchable": true, "key": "11674", "filters": [ "01Contaminated" ], "keywords": [] }, "11675": { "id": 11675, "label": "L - 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CONTAMINATED: government fallout


Contaminated is a layered exploration of the tens of thousands affected by radiation illnesses and the secrets kept at the Hanford Nuclear site. Hanford produced plutonium for the first nuclear bombs used during WWII. In 1942, my Grandfather arrived on the land as a surveyor and started working for the U.S. Government's Manhattan Project. Contaminated is what has happened to the people and the land in southeastern Washington State. This is where I was born. This is where my family lives.


An undertaking of this magnitude had never been attempted, and the records kept on employees' safety years later were deemed insufficient. The U.S. Department of Labor now has the Energy Employees Occupational Illness Compensation Program Act, which began in October of 2000. This Act now pays out employees and survivors of a family with specific illnesses related to working at the Hanford site.


My family, thousands of other employees, locals, and the land have all been affected. In the 1990s, after the Cold War, the Hanford reactors were decommissioned, leaving behind 53 million gallons of high-level, complicated nuclear and mixed dangerous waste. To this day, the Hanford Site contains two-thirds of the United States' radioactive waste - and is the most extensive environmental cleanup. 


Contaminated is my experience growing up in this highly charged and secretive town and its impact on the people and land. Each unique piece is hand-built from family and friends' stories, pictures, and declassified documents.

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MAKiNG iT: an intimate documentary of the seattle indie, rock & punk scene, 1992-2008



PRESS RELEASE


The MAKiNG iT exhibition with Bootsy Holler is with Leica Gallery, London, 28th Sept - 31st Oct. 2024. The exhibition is closing and is ready to travel in 2025. FOR MORE INFORMATION ON EVENTS


The exhibition features images soon to be published in the monograph MAKiNG iT: An Intimate Documentary of the Seattle Indie, Rock & Punk Scene, 1992-2008. Holler's personal story is witness to an artist in her 20s documenting little-known bands who later defined a decade in music history - capturing live gigs, portraits, and the remnants and landscapes of a scene that was the formative stage for groups such as Death Cab for Cutie, Fleet Foxes, Interpol, Macklemore, Modest Mouse, The Gossip and Yeah Yeah Yeahs, along with Beck, Foo Fighters- Dave Grohl, Moby, Pearl Jam, The Posies, and R.E.M.


\"I lived it: the dark days, the rain, the dampness in your bones. I supported local venues, lived with a band, drank coffee, shot heroin, got pregnant, and had an abortion, not in that order. This collection of images is a piece of my life while trying to make it, stay alive, and survive as a working artist, just like all these musicians.\"


The work is a pilgrimage back in time, a nostalgic trip for anyone who remembers their 20s, cherishes music, or yearns for a time when nobody texted or had a camera in their pocket. This series transcends the boundaries of music or a single life story. It's about heeding your instincts. \"I was documenting my life. The musicians, promoters, and bouncers were my friends, and I went to see bands I enjoyed and places I could get in for free.\"


Holler was a working photographer with the personality to walk into small venues and document the music scene easily. \"I didn't know I was in the middle of something new.\" Not only was the Seattle sound changing, but bands from New York to California came through the clubs with an experimental and progressive energy embraced by the scene. The kids had rebelled, and a new sound was evolving.


Holler currently lives and works in Los Angeles, CA. The Society of Photographic Journalism has recognized her. Her art images have appeared in numerous publications such as VOGUE, House & Garden, NPR, Lenscratch, Fraction, PDN, and Chinese Photographer Magazine. Her seminal work is in the permanent collection of the Grammy Museum in Los Angeles. In 2020, the Shanghai International Photo Festival invited Holler to exhibit; she showed work at The Foley Gallery in N.Y.C. in 2021. In 2022, Holler launched a solo show at The Lodge L.A. She has hung art in many venues, including Fotofever in Paris, Photo London, The Griffin Museum of Photography, the California Museum of Photography, and the Center for Photographic Art. In 2019, she published her second monograph, TREASURES: Objects I've Known All My Life. In November, Holler will also exhibit her \"Contaminated \" photo sculptures at the Center for Fine Art Photography, Colorado.


If you are interested in exhibiting the work from MAKiNG iT in Europe, please contact virginia@virginiadamtsa.com for more information, and Bootsy Holler in the US is at booholler@gmail.com.










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TREASURES BOX


The Treasures Box collection is an experience to thumb through with each 5 x 7-inch print on heavy Moab Entrada rag paper. The box includes 44 images plus a title, statement, and full grid collection card.


The handmade wood box is 6 x 8 x 3 inches with Treasures burned into the lid. A yellow ribbon pull brings the cards up and out of the box.


Signed, titled, dated, and editioned on the box verso, and each card


Produced in: 2014

Cards: 44 total images + Title card

Dates: 2013 - 2014

Edition: 2 of 3

Materials: satin ribbon, branded wood box, title and collection card

Price: $ 950





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A Thousand Beautiful Lies features artwork by acclaimed artists Shayla Blatchford, Abbey Hepner, Bootsy Holler, Kei Ito, Patrick Nagatani, and Will Wilson.

This exhibition investigates the nuclear environmental and humanitarian legacy by exploring the agency and place of those directly affected by lasting impacts. Each artist explores issues of atomic legacy through lived experience and personal biographies affected by atomic legacies.


Review by Paloma Jimenez DARIA


Bootsy Holler also favors a targeted application of color in a collection of multimedia works from the Contaminated project, which focuses on the lasting impacts of the Hanford Nuclear site. Holler explains, “Contaminated is my experience growing up in this highly charged and secretive town and its impact on the community, people, environment, water, and land. Each unique piece is hand-built from family and friends' stories, pictures, and declassified documents.”


Photos of smiling individuals from the town turn dystopian once you examine the violent placement of layered incisions into the paper. Dark circles of radiation illness overtake the image of a couple in Dusty & Lou - Stomach Cancer, 2023. The voids in the work threaten to swallow the memory whole. Even more disquieting is the piece Jack - Classified, 2016-2021. Tender-faced, looking off into the distance, the young man’s lips are sewn shut with a single button. His cause of death remains unknown to all but the government. 


From aerial perspectives of nuclear waste scarring the land to human lives cut short by cancer, A Thousand Beautiful Lies isn’t optimistic, and it doesn’t have to be. It’s haunting, informative, and offers space to hold complex feelings. We often turn to art to celebrate life, but also to mourn the loss of it. With this work, we are able to access information censored by the media, to understand the world from another person’s perspective, and to imagine something greater and more beautiful than the current reality.


A Thousand Beautiful Lies

Center for Creativity

200 Mathews Street, Fort Collins, CO 80524

October 30-November 23, 2024


Hamidah Glasgow curated a Thousand Beautiful Lies.


Previous Related Programming:

Richland Documentary Screening on February 1, 2024, at the Lyric Cinema and presented in partnership with the ACT Human Rights Film Festival. More Information here.

Bootsy Holler's artist talk on Zoom on February 7th at 5 pm MT. Free, More Information here.

More related programming is to be announced.

The National Endowment for the Arts and Fort Fund partially funds this exhibition and related programming.



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MAKiNG iT: an intimate documentary of the Seattle indie, rock & punk scene, 1992-2008


This collection reflects on the Seattle music scene of the late 1990s into the 2000s, documented through photography and personal stories as the world transitioned from celluloid to digital, grunge to indie. The book opens with a nod to a truly independent woman with a forward from Megan Jasper, Sub Pop Records C.E.O., for 25 years. 


The work is a pilgrimage back in time, a nostalgic trip for anyone who remembers their 20s, cherishes music or yearns for a time when nobody texted or had a camera in their pocket. This series transcends the boundaries of music or a single life story. It's about heeding your instincts. \"I was documenting my life. The musicians, promoters, and bouncers were my friends, and I went to see bands I enjoyed and places I could get in for free. I didn't know I was in the middle of documenting something new.”


Holler's personal story is witness to an artist in her 20s photographing little-known bands who later defined a decade in music history - capturing live gigs, portraits, and the remnants and landscapes of a scene that was the formative stage for groups such as Death Cab for Cutie, Fleet Foxes, Interpol, Macklemore, Modest Mouse, The Gossip and Yeah Yeah Yeahs, along with Beck, Foo Fighters- Dave Grohl, Moby, Pearl Jam, The Posies, and R.E.M.


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LIMITED EDITION PRINTS


MAKiNG IT prints are archival pigment prints professionally printed on a Canon fine art printer. Each image is created on Canson Platine Infinity rag paper in the U.S. with a semi-gloss surface, similar to a classic print made in a lab. A combination of printer and paper was chosen for this photo series. All photos are signed and editioned verso unless otherwise discussed.


MAKiNG iT an intimate documentary on the seattle indie, rock & punk scene, 1992-2008

EX Large custom sizes are available. Please contact me.

19x13 in. paper with a border

edition of 5

24x16 in. paper with a border

edition of 5

36x24 in. paper with a border

edition of 3


* 2 Artist prints per edition.

* Once an edition is sold through, no more prints of that image will be offered.

* If you want a private viewing, please email me.


MAKiNG iT exhibition

LEICA GALLERY LONDON

Sept. 28 - Oct. 28th, 2024

SHOW EXTENDED THRU. OCT. 31ST

The show has closed


Please get in touch with me if you are interested in Pearl Jam, Beck, Moby, or R.E.M., or go to the Shop.


EMAIL TO RESERVE A PRINT or check out the shop, where I have added a few images. SHOP.BOOTSYHOLLER


To inquire, please CONTACT












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A Thousand Beautiful Lies will feature artwork by acclaimed artists Shayla Blatchford, Abbey Hepner, Bootsy Holler, Kei Ito, Patrick Nagatani, and Will Wilson.


This exhibition investigates the nuclear environmental and humanitarian legacy by exploring the agency and place of those directly affected by lasting impacts. Each artist explores issues of atomic legacy through lived experience and personal biographies affected by atomic legacies.


Viewing hours at the Center For Creativity Gallery are Wednesday-Sunday, 12:00 pm - 6:00 pm


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Open House for the Critical Mass Top 50 with Atlanta Photography Group.


The invite contains Contaminated image, Julia - Brain Cancer sculpture.




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A few weeks ago I had the great pleasure to attend two exhibitions at the Center for Creativity in Fort Collins, CO, presented by the Center for Fine Art Photography: Center Forward and A Thousand Beautiful Lies. A Thousand Beautiful Lies was curated by Hamidah Glasgow and features artwork by acclaimed artists Shayla Blatchford, Abbey Hepner, Bootsy Holler, Kei Ito, Patrick Nagatani, and Will Wilson.

This exhibition investigates the nuclear environmental and humanitarian legacy by exploring the agency and place of those directly affected by lasting impacts. Each artist explores issues of atomic legacy through lived experience and personal biographies affected by atomic legacies.

It’s a profound exhibition and the work of Bootsy Holler is a stand-out. CONTAMINATED is a layered historical exploration of the people affected by the secrets that the United States Government kept during the Manhattan Project, their subsequent illnesses, and the polluted land in eastern Washington State at the Hanford Nuclear site.


READ THE FULL ARTICLE



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0, "height": 0 }, "bytes": 2844565 }, "keywords": [], "overrides": {}, "filters": [ "MAKiNG iT Collections" ], "dateAdded": "2025-01-19T18:09:25.801Z", "linkTarget": "", "postDate": "2025-01-19T18:13:35.450Z" }, "11752": { "id": 11752, "label": "", "caption": "", "type": "html", "content": "

Transform Your Space

 

Over the years, I have served as an art director, stylist, producer, director, photographer, and curator of my work and others. Businesses, galleries, clients, and friends have trusted my eye and unique style. If you feel overwhelmed by the art available in the world but desire original and limited pieces in your home, I'm here to help. This includes all art, not just my own. 


As an artist with 30 years of experience, I am passionate about art and teaching others. I focus on collaborating with clients who appreciate fine art and want to start bringing it into their homes. I want people to live with photos, paintings, and sculptures that bring joy and inspire them. 

 

I offer a personalized boutique experience for those looking to curate their lives and spaces. Whether you need a single piece framed and hung or want to fill a corporate office's expansive walls, I am committed to creating spaces that enhance the environment. 

 

If you're unsure where to begin, please reach out. We can transform your room into something beautiful that you'll cherish forever.


XOBOO


CONTACT ME by email or my phone

I am in Los Angeles but also work with UK and European clients.














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I will be showing in March with Alta Vista Arts at MIA in Milan with Alexandra DeFurio, Sarah Hadley, Bootsy Holler, Catherine Just, Sal Taylor Kydd, Shari Yantra Marcaci, Erica Kelly Martin, and Marjorie Salvaterra.

Come see us March 20-23, 2025, at the Superstudio Piú, Via Tortona 27, Milano.







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LOOKING TO COLLECT?


Bespoke prints, framing, and installation can begin by contacting ME@BootsyHoller.com .


I often have ready-to-hang work that I can offer, which may have been in an exhibition, show, or fair. Please contact me.



WANT TO SHOP ONLINE?


You can go to my SHOP and buy online, which has work not shown here in my portfolios.


Under STORE or BOOKS, you can find more information on collecting prints or unique objects.


Another option is to go to PDF (bottom of menu), pull the images you are interested in, and build a PDF for yourself or a client.


The easiest thing to do is pick up the phone and call me or text, and we can make a date to speak. GO to CONTACT


XOBOO















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PHOTO LONDON X NIKON EMERGING PHOTOGRAPHER AWARD 2023

SHORTLISTED with the series CONTAMINATED


and in a solo presentation by VirginiaVisualArts in the Discovery section of the Fair of the American artist Bootsy Holler, whose “Contaminated” series tells the story of her birthplace, the Hanford Nuclear Reservation, a large U.S. nuclear site established during World War II for the production of plutonium, some of which was used in the first atomic bomb.





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BOOK EVENTS 


MAKiNG iT Book Speaking Events


Oct. 29th - Los Angeles, Skylight Books


Nov. 1st - Seattle, Easy Street Records 


Nov. 4th - Seattle, Third Place Books -Seward Park


Nov. 8th - Paris, Alta Vista Arts (group exhibition)

Elle Existe / She Exists

Opening Reception: November 8th 5-8pm

Finissage: November 15th, 6-9pm

Galerie

Rue Chapon, 8, Paris 75003


Nov. 11th - House of Koko, London


Nov. 12 - 16th - Paris Photo w/ Damiani Books


Nov. 22nd - New York, Leica Gallery



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HONORABLE MENTION for MAKiNG iT










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